An exhibition dedicated to those artistic paths that seek another dimension, of absolute, between universal, material and immaterial, immanent and transcendent.
40 years on from his death, MAXXI is dedicating a major retrospective to him that studies and presents his versatility, starting out with an account of his architecture.
A review that ranges from the low-cost housing projects of the post-war years to new experimental and sustainable ways of inhabiting the planet
Il mondo di Altan raccontato con disegni originali, poster, illustrazioni, quadri, schizzi, tavole, libri e filmati.
Three meetings dedicated to advertising graphics, interior design, product design, and all creatives who have made the image of the Ivrea factory famous throughout the world.
An island of tolerance in the foster home of Tzippori, Nazareth: a story told through video, images and site-specific installation.
«Mi ha colpito come tutti si tengano per mano – racconta Carlo Mogiani – sempre in ogni vicolo, in ogni piazza, si cammina mano nella mano».
Sei residente o domiciliato a Roma? Hai tra i 14 e i 35 anni? Partecipa al contest di Street Art promosso dal Municipio II di Roma.
Sei residente o domiciliato a Roma? Hai tra i 14 e i 35 anni? Partecipa al contest di Cortometraggi promosso dal Municipio II di Roma.
«Painting recognises no customs. Children do not know gender. Art hates painters».
A focus show on the architecture of Louis Kahn through the photographs of Roberto Schezen.
A guided tour of the "on the spiritual matter of art" exhibit.
Celebriamo il doppio centenario con un omaggio alla creatività, artistica e cinematografica.
Who are they really, the men and women of that great polyphonic novel, the Gospels?
What is the meaning of painting? How has the concept of painting changed over the centuries? And what will painting become in the future?
Andrea Vianello talks about his stroke using lost and new words to describe the personal ordeal of those who discover their physical vulnerability.
TUESDAY 11:00 am – 8:00 pm
WEDNESDAY 11:00 am – 7:00 pm
THURSDAY 11:00 am – 7:00 pm
FRIDAY 11:00 am – 8:00 pm
SATURDAY 11:00 am – 8:00 pm
SUNDAY 11:00 am – 7:00 pm
The ticket office is open until 1 hour before Museum closing.
Every Monday, 1 May, 25 December
for young people of between 14 and up to 25 years of age; for groups of at least 15 people and affiliated groups; accredited journalists with a valid press pass; FAI – Fondo Ambiente Italiano members; holders of Bibliocard – Biblioteche di Roma; holders of entrance tickets for the Museo Ebraico of Rome; holders of entrance tickets for La Galleria Nazionale; Consiglio Nazionale degli Architetti members; Associazione Italiana Ambasciatori del Gusto members and relatives; holders of Pro Loco membership card.
for all members of families composed of two adults and at least one child (free for under-14s).
every Tuesday, access the museum at a reduced price, thanks to Enel . Valid until 8 March, on the occasion of “on the spiritual matter of art” exhibition.
for “last hour” admissions from 5:30 pm (Wednesday, Thursday and Sunday) and from 6:30 pm (Tuesday, Friday and Saturday); Wednesday from 2:00 PM for Italian and European Union high school and university students – subject to the showing of personal student cards or documents, students (o9ver 14 years of age) for class groups (second level secondary schools) acquiring MAXXI educational activities; for entrance to videogallery screenings (free with the purchase of a full or reduced price entrance ticket).
valid for two entrances on two consecutive days.
valid for exhibition entrance at Extra MAXXI.
valid for museum entrance and Extra MAXXI.
for young people between 14 and up to 25 years of age; for groups of at least 15 people and affiliated groups; accredited journalists with a valid press pass; FAI – Fondo Ambiente Italiano members; holders of Bibliocard – Biblioteche di Roma; holders of entrance tickets for the Museo Ebraico of Rome; holders of entrance tickets for La Galleria Nazionale; Consiglio Nazionale degli Architetti members; Associazione Italiana Ambasciatori del Gusto members and relatives; holders of Pro Loco membership card.
present a ticket to the National Etruscan Museum of Villa Giulia and access the MAXXI at a reduced price. Furthermore, by presenting a MAXXI ticket at the National Etruscan Museum of Villa Giulia, you will have access to € 7 instead of 10. Valid until March 8, on the occasion of the exhibition “on the spiritual matter of art”.
under 14 years old, disabled visitors requiring accompaniment, companions of disabled visitors, MiBAC employees, European Union tour guides and couriers, 1 teacher for every 10 students, ICOM members, AMACI members, accredited journalists, MAXXI membership card holder; from Tuesday to Friday, free admittance for academics and university researchers in Art and Architecture; on your Birthday; for entrance to the permanent collection, from Tuesday to Thursday; for women on 8 March.
Click here for more information
The collections of the MAXXI art present themselves as a strong nucleus that witnesses the national and international artistic production
The MAXXI Architettura collections comprise all those artefacts and documents that, in various ways, represent the material and conceptual complexity of architecture.
The Centro Archivi curates and manages the MAXXI's architecture collections and provides the possibility, inside the Sala Studio, to directly consult the documents and database of its twentieth and twenty-first century collections.
With the my MAXXI card experience the museum full time: unlimited and preferential access, reduced rates to participate to cultural programmes and educational activities
We need to be able to count on a network of benefactors, both in Italy and abroad, to enhance the museum’s permanent collection, guarantee the conservation of the works and present our public with an engaging cultural programme.
Donate your Cinque per Mille to the MAXXI Foundation
curated by Luigia Lonardelli, Vincenzo Napolano, Andrea Zanini
scientific advice: Giovanni Amelino-Camelia
The closing of the exhibition has been extended to 6 May 2018
In 1917, Albert Einstein published an article that gave rise to modern cosmology and transformed the models of the cosmos and the universe hitherto imagined by scientists and thinkers, revolutionising the concepts of time and space.
One hundred years on from this publication, MAXXI is dedicating an exhibition to one of the figures to have had the greatest influence on contemporary thinking.
Investigating the connections and the profound analogies between art and science, Gravity. Imaging the Universe after Einstein recounts the developments of the theory of relativity in the current vision of the universe and the fascinating spin-offs it is still producing in the field of art.
Through the involvement of international artists, the exhibition pays tribute to the scientist who radically altered our knowledge and perception of the universe.
Immersive artistic and scientific installations, iconic artefacts and simulations of experiments drawing us closer to the essence of the scientific innovations introduced by Einstein and revealing the underlying depths of the known universe, but also the mechanisms that bind together all those searching for knowledge, in a collective process in which artists and scientists play roles of equally fundamental significance to society.
Tomás Saraceno, 163,000 light years, 2016
Einstein’s new understanding of space and time is based on a fundamental principle: the speed of light is a universal constant. No matter how quick one can move, its value — namely 300,000 kilometres a second — will always remain the same. However, this idea has counterintuitive consequences. If the speed of light is always constant, space and time must be the ones to change based on the observer. Moreover, space and time are no longer separate, independent aspects of reality, but form part of a single entity, a sort of four-dimensional “space”: spacetime.
In spacetime, the speed at which one moves defines the perspective from which they look at the world and the way in which they experience time.
The relativity of measurement is the object of 3 Stoppages Étalon, an artwork that saw Marcel Duchamp randomly create his own unit of measurement. The artwork The Way Things Go, by Peter Fischli and David Weiss, focuses on the strict concatenation of cause and effect phenomena by showing an endless chain reaction of apparently insignificant events. Finally, Tomás Saraceno invites visitors to the exhibition to join his Cosmic Concert, which unveils the invisible fabric of cosmic connections underlying the universe. Time becomes intuition in the 163,000 Light Years video, where a still picture of the starry sky is but the crystallised image of the past, which appears identical to our present owing to the effect of the high, albeit finite speed of light.
Allora & Calzadilla, con la collaborazione di / in collaboration with Ted Chiang, The Great Silence, 2016. Courtesy gli artisti / the artists
In every field of knowledge, a crisis, namely the moment when the current vision flakes apart and the most legitimate beliefs collapse, is the necessary premise for the creation of new interpretations and reference models.
Even Einstein’s first theory of relativity — known as Special Relativity — responded to a crisis, namely the one experienced by classical physics due to the new discoveries on the propagation of electromagnetic waves and light. It also led to another crisis, namely the one experienced by the Newtonian law of universal gravitation due to the relativistic nature of space and time, which had just been discovered. In order to emerge from this crisis, Einstein completed his new paradigm with the theory of General Relativity. In this new vision, spacetime is an elastic fabric deformed by stars and planets, which leads the other bodies to slide along its curved surface. Thus, gravity is but the manifestation of this mutual interaction between celestial bodies and the cosmic fabric of spacetime.
For the audience to better grasp the dynamic and visualise the structure of spacetime, the installations contained in this section provide it with virtual and interactive experiences revolving around the immersive tale of two decisive pieces of evidence supporting the Einstein model: the gravitational deflection of light, which was first observed in 1919, and the discovery of gravitational waves, which was made in 2015, a century after their theoretical conception.
The video entitled The Great Silence, which was made by Allora&Calzadilla, is a reflection on the concept crisis, albeit from a different perspective: indeed, it revolves around the actual ability of people to interpret the signs of nature.
Laurent Grasso, The Horn Perspective, 2009
The cosmos has always been the ultimate horizon of our desire for knowledge. The more we have been able to observe it with our artificial eyes, the more its borders have broadened and drifted away from us: witness the discoveries made by use of Galileo’s telescope or its more powerful versions orbiting around Earth. We now describe the universe as “the whole”, while we trace back its origins and predict its evolution. However, our experience has enabled us to understand the unmeasurable scope of cosmic phenomena and the limits of our knowledge.
The ambivalent nature of human knowledge inevitably is studied by contemporary artistic research: witness The Horn Perspective installation by Laurent Grasso, which focuses on the ephemeral boundaries among science, fiction, real perceptions, and artistic suggestions, thereby reminding us how difficult it is to decipher and interpret the messages coming from the cosmos.