REOPENING: 22-23-24/29-30-31 May and from 2 June on the usual opening days and hours
40 years on from his death, MAXXI is dedicating a major retrospective to him that studies and presents his versatility, starting out with an account of his architecture.
A new focus presentation of the MAXXI archives this time featuring a great photographer
REOPENING: from 2 June 2020
In the year of its 10th anniversary, MAXXI chooses to give great space to Italian creativity, by hosting the winners of the competition held by the MiBACT Italian Council.
Lo Young Architects Program, lanciato e coordinato dal MoMA, arriva alla sua 8ª edizione al MAXXI.
Seven leading international designers have been asked to investigate and present their vision regarding seven themes and functions of habitation.
REOPENING: from 18 June 2020
A review that ranges from the low-cost housing projects of the post-war years to new experimental and sustainable ways of inhabiting the planet
REOPENING: from 18 June 2020
A space inspired by Pier Luigi Nervi that visitors may enter and move around.
Three canvases combine words, painting and gestures in a critical rethinking of the past as a means of building friendships, solidarity and alliances.
Un ritratto intimo, caldo e sincero del grande Ettore Scola, maestro di regia e padre.
First edition of VEFF – Video Essay Film Festival, dedicated to one of the most popular and innovative online genres: Video Essay as a new form of critique and reflection on cinema through images, text, editing and sound.
A partire dal suo ultimo libro Vivere la Musica, il cantautore Francesco Motta racconta che cosa significa vivere con la musica.
Sorry, this entry is only available in Italian.
Ten competing Italian documentaries and a jury of experts to award the "Best Italian Documentary of the Year" and assign the "Extra Doc CityFest" award to the best unreleased documentary.
TUESDAY 11:00 am – 7:00 pm
WEDNESDAY 11:00 am – 7:00 pm
THURSDAY 11:00 am – 7:00 pm
FRIDAY 11:00 am – 7:00 pm
SATURDAY 11:00 am – 7:00 pm
SUNDAY 11:00 am – 7:00 pm
The ticket office is open until 1 hour before Museum closing.
purchase and choose the date and time of your visit.
by presenting card or ID badge for: Accademia Costume & Moda, Accademia Fotografica, Atac, Arsity, Biblioteche di Roma, Casa Internazionale delle Donne, Centro Romano di Fotografia e Cinema, Centro Sperimentale di Cinematografia, ENAV, Enel, FAI – Fondo Ambiente Italiano, Feltrinelli, Francesco Olgiati ONLUS, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Istituto Pantheon Design & Technology, ISFCI – Istituto Superiore di Fotografia, La Rinascente, Sapienza Università di Roma, LAZIOcrea, Lazio Innova, NABA – Nuova Accademia di Belle Arti, Officine Fotografiche, Ordine degli Assistenti Sociali, Ordine Psicologi Lazio, Palazzo delle Esposizioni, Romaeuropa Festival, RUFA – Rome University of Fine Arts, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Eliseo, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Università UniCamillus a Roma, Youthcard.
under 14 years old; disabled visitors requiring accompaniment; MiBACT employees; European Union tour guides and couriers; 1 teacher for every 10 students; ICOM members; AMACI members; accredited journalists; myMAXXI membership cardholders; Tuesday to Friday – academics and university researchers in Art and Architecture; on your Birthday presenting an ID card.
The collections of the MAXXI art present themselves as a strong nucleus that witnesses the national and international artistic production
The MAXXI Architettura collections comprise all those artefacts and documents that, in various ways, represent the material and conceptual complexity of architecture.
The Centro Archivi curates and manages the MAXXI's architecture collections and provides the possibility, inside the Sala Studio, to directly consult the documents and database of its twentieth and twenty-first century collections.
With the my MAXXI card experience the museum full time: unlimited and preferential access, reduced rates to participate to cultural programmes and educational activities
Abbiamo bisogno di poter contare su di una rete di sostenitori, per incrementare la collezione permanente, tutelare la conservazione delle opere e offrire e al nostro pubblico un programma culturale di qualità.
Donate your Cinque per Mille to the MAXXI Foundation
curated by Luigia Lonardelli, Vincenzo Napolano, Andrea Zanini
scientific advice: Giovanni Amelino-Camelia
The closing of the exhibition has been extended to 6 May 2018
In 1917, Albert Einstein published an article that gave rise to modern cosmology and transformed the models of the cosmos and the universe hitherto imagined by scientists and thinkers, revolutionising the concepts of time and space.
One hundred years on from this publication, MAXXI is dedicating an exhibition to one of the figures to have had the greatest influence on contemporary thinking.
Investigating the connections and the profound analogies between art and science, Gravity. Imaging the Universe after Einstein recounts the developments of the theory of relativity in the current vision of the universe and the fascinating spin-offs it is still producing in the field of art.
Through the involvement of international artists, the exhibition pays tribute to the scientist who radically altered our knowledge and perception of the universe.
Immersive artistic and scientific installations, iconic artefacts and simulations of experiments drawing us closer to the essence of the scientific innovations introduced by Einstein and revealing the underlying depths of the known universe, but also the mechanisms that bind together all those searching for knowledge, in a collective process in which artists and scientists play roles of equally fundamental significance to society.
Tomás Saraceno, 163,000 light years, 2016
Einstein’s new understanding of space and time is based on a fundamental principle: the speed of light is a universal constant. No matter how quick one can move, its value — namely 300,000 kilometres a second — will always remain the same. However, this idea has counterintuitive consequences. If the speed of light is always constant, space and time must be the ones to change based on the observer. Moreover, space and time are no longer separate, independent aspects of reality, but form part of a single entity, a sort of four-dimensional “space”: spacetime.
In spacetime, the speed at which one moves defines the perspective from which they look at the world and the way in which they experience time.
The relativity of measurement is the object of 3 Stoppages Étalon, an artwork that saw Marcel Duchamp randomly create his own unit of measurement. The artwork The Way Things Go, by Peter Fischli and David Weiss, focuses on the strict concatenation of cause and effect phenomena by showing an endless chain reaction of apparently insignificant events. Finally, Tomás Saraceno invites visitors to the exhibition to join his Cosmic Concert, which unveils the invisible fabric of cosmic connections underlying the universe. Time becomes intuition in the 163,000 Light Years video, where a still picture of the starry sky is but the crystallised image of the past, which appears identical to our present owing to the effect of the high, albeit finite speed of light.
Allora & Calzadilla, con la collaborazione di / in collaboration with Ted Chiang, The Great Silence, 2016. Courtesy gli artisti / the artists
In every field of knowledge, a crisis, namely the moment when the current vision flakes apart and the most legitimate beliefs collapse, is the necessary premise for the creation of new interpretations and reference models.
Even Einstein’s first theory of relativity — known as Special Relativity — responded to a crisis, namely the one experienced by classical physics due to the new discoveries on the propagation of electromagnetic waves and light. It also led to another crisis, namely the one experienced by the Newtonian law of universal gravitation due to the relativistic nature of space and time, which had just been discovered. In order to emerge from this crisis, Einstein completed his new paradigm with the theory of General Relativity. In this new vision, spacetime is an elastic fabric deformed by stars and planets, which leads the other bodies to slide along its curved surface. Thus, gravity is but the manifestation of this mutual interaction between celestial bodies and the cosmic fabric of spacetime.
For the audience to better grasp the dynamic and visualise the structure of spacetime, the installations contained in this section provide it with virtual and interactive experiences revolving around the immersive tale of two decisive pieces of evidence supporting the Einstein model: the gravitational deflection of light, which was first observed in 1919, and the discovery of gravitational waves, which was made in 2015, a century after their theoretical conception.
The video entitled The Great Silence, which was made by Allora&Calzadilla, is a reflection on the concept crisis, albeit from a different perspective: indeed, it revolves around the actual ability of people to interpret the signs of nature.
Laurent Grasso, The Horn Perspective, 2009
The cosmos has always been the ultimate horizon of our desire for knowledge. The more we have been able to observe it with our artificial eyes, the more its borders have broadened and drifted away from us: witness the discoveries made by use of Galileo’s telescope or its more powerful versions orbiting around Earth. We now describe the universe as “the whole”, while we trace back its origins and predict its evolution. However, our experience has enabled us to understand the unmeasurable scope of cosmic phenomena and the limits of our knowledge.
The ambivalent nature of human knowledge inevitably is studied by contemporary artistic research: witness The Horn Perspective installation by Laurent Grasso, which focuses on the ephemeral boundaries among science, fiction, real perceptions, and artistic suggestions, thereby reminding us how difficult it is to decipher and interpret the messages coming from the cosmos.