valid until 9 April due to the Museum’s first-floor closing
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the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
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valid for access to the Museum during the last opening hour, available online and at the Museum’s digital ticket point only
upon presentation of the membership Card or Carta EFFE
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minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
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under 14 years of age
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disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
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MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
23 Mar 2024 ore 16:00
MAXXIperTUTTIToccare lo spaziotactile lab
24 Mar 2024 ore 16:00
MAXXIperTUTTIIl corpo e l’architetturatactile lab
27 Mar 2024 ore 18:00
talkAino and Alvar Aalto. A story of love and architectureby Heikki Aalto-Alanen
31 Mar 2024 ore 16:30
MAXXI in famigliaAlla scoperta del MAXXI con Stella
MAXXI Auditorium and Gallery 4 – SOLD OUT
tickets 5€ – free for myMAXXI card holders – subject to availability of places
A major figure on the international scene, in his work William Kentridge, the South African artist and theatre and animated film director, tackles issues associated with the racial segregation he witnessed for years. In conversation with Hou Hanru and Achille Bonito Oliva, the artist will discuss some of his works. Introduced by Giovanna Melandri President Fondazione MAXXI
The seminar is also an opportunity to get to know more about the artist thanks to the exhibition in the gallery devoted to MAXXI’s permanent collection of four works that make up a focus entitled About William Kentridge. A chance to admire together the large tapestry North Pole Map (2003) in which great walking figures evoke life’s journey and the migrations of peoples, Preparing the Flute (2004-2005) which presents a scaled-down form of the sets for Mozart’s Magic Flute directed by Kentridge and presented at the Brussels Opera House that year. There are also two large drawings: Flagellant (1995-97) inspired by Ubu, the celebrated character by Alfred Jarry and part of a broader reflection by the artist on the theme of the suffering and massacres of apartheid, and Untitled (Large Drawing – Standing Man) (2001) part of a group inspired by the series of lithographs Summer Graffiti, a combination of erotic dreams and sketches.
Conversazioni d’autore. Six seminars with the protagonists of the MAXXI Collections
13 April – 9 June 2016
The cycle Conversazioni d’autore has been created with the intention of investigating the compositional themes in the projects and works exhibited in the museum gallery devoted to the display of the MAXXI collections through dialogues with their creators. On the basis of the works on show, the artists and the architects will guide the public on an exploration of the multiple meanings within the processes of making art and architecture, presenting their ideas through a fruitful and stimulating dialogue with academics and critics.