15 June 2018
Summer’s with us and at MAXXI the activities for children of between 5 and 10 years of age are back.
Presentazione editoriale. I FORTUNATI DECENNI 1950 – 2000 di Pietro Barucci
Un racconto singolare e sorprendente della seconda metà del Novecento.
MAXXI Collection. The Place to Be
The new presentation of the collection begins in the museum piazza and proceeds without interruptions on the ground floor.
Zevi’s architects. History and counter-history of italian architecture 1944-2000
On the occasion of his birth, an exhibition dedicated to the great historian, lecturer, critic, politician and designer and to the modern and contemporary Italian architecture he supported and promoted through his work.
MAXXI BVLGARI Prize
MAXXI and Bulgari together for young contemporary art with the Award that this year is renewed and is projected on the international art scene.
Focus. Nico Vascellari. Revenge
The same three-dimensional space/sculpture enclosing a multiplicity of linguistic codes.
Tel Aviv the White City
Tel Aviv and its architecture: an open-air museum of the most advanced international architecture of the 20th century.
Artapes. A lezione con Bruno Zevi
Una rassegna dedicata al video come mezzo di divulgazione della disciplina architettonica a partire dalla mostra "Gli architetti di Zevi".
THE INDEPENDENT. MoRE museum of refused and unrealised art projects
The project of a digital museum that collects, stores and exhibits unrealized projects by the artists on-line.
When sound becomes form
The story of the Italian sound avant-garde through photographs, films, videos, historical posters, original LPs and audio contributions.
YAP Rome at MAXXI
Trees and plants for a wild oasis in the museum piazza, thanks to the project organized in collaboration with the Museum of Modern Art of New York, within the ambit of the Young Architecture Program.
Eco e Narciso. Portraiture and self-portraiture in the MAXXI and Gallerie Nazionali Barberini Corsini collections
A major exhibition uniting old masters and contemporary art.