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the ticket office is open until 1 hour before the Museum closing
the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
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for young people aged between 14 and 25 (not yet turned 25); for groups of 15 people or more; registered journalists with a valid ID card; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Automobile Club d’Italia (ACI), Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Poste Italiane, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
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upon presentation of the membership Card or Carta EFFE
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valid on Wednesdays from 2 pm for high school and university students, Italian and from the European Union – upon presentation of the personal card/booklet
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for all members of families consisting of two adults and at least one child (free for children under 14)
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minors under 14 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; accredited journalists; myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document; Tuesday to Thursday for admission to Gallery 1 hosting the FUORI TUTTO exhibition
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for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
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under 14 years of age
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disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
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MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
Gian Ferrari Hall
curated by Bartolomeo Pietromarchi
The closing of the focus has been extended to 9 September 2018
The same three-dimensional space/sculpture enclosing a multiplicity of linguistic codes.
MAXXI is reproposing the presentation of Revenge, the work with which Nico Vascellari, one of the protagonists of the younger generations in Italian art, won the 2007 edition of the Prize for Young Italian Art. The work, presented at the Venice Biennale that year, contains all the typical motifs of the artist’s oeuvre, such as its relational, environmental and performative nature and the use of expressive media that range from the most advanced technology to the poorest of materials.
Revenge is composed of a high wall in painted and burnt wood, in which are set amplifiers of varying sizes that transmit pure sound at high volumes. In its first version, the loudspeakers transmitted the voice of the artist distorted into an almost demoniacal sound. Ten years later the artist is presenting a revised version with a soundtrack derived from the processing of sounds produced during a choral performance.
Nico Vascellari is offering visitors an immersive experience that allow them to challenge the basic concepts of above and below and inside and outside, cues for the far more complex ones of reality and fiction and an opportunity to explore the unwritten but silently established rules of ambits such as art or music to which the artist belongs.
ph. Meri Gallo and Vito Pelegatto
Cataloghi della mostra
Monograph 2018
NICO VASCELLARI. REVENGE