Monday closed
Tuesday to Sunday 11 am – 7 pm
Tuesday, 1 July 7 pm > 9 pm
Wednesday, 9 July 7 pm > 9 pm
Wednesday, 16 July 7 pm > 9 pm
book online
last entrance 8 pm
– for young people aged between 18 and 25 (not yet turned 25);
– for groups of 15 people or more;
– La Galleria Nazionale, Museo Ebraico di Roma ticket holders;
– upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard;
valid for one year from the date of purchase
– minors under 18 years of age;
– myMAXXI cardholders;
– on your birthday presenting an identity document;
– upon presentation of EU Disability Card holders and or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators;
– MiC employees;
– journalists who can prove their business activity;
– European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums);
– 1 teacher for every 10 students;
– AMACI members;
– CIMAM International Committee for Museums and Collections of Modern Art members;
– ICOM members;
– from Tuesday to Friday (excluding holidays) European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students;
– IED Istituto Europeo di Design professors, NABA Nuova Accademia di Belle Arti professors, RUFA Rome University of Fine Arts professors;
– upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie;
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
Claudia Gian Ferrari Hall
curated by Margherita Guccione, Bartolomeo Pietromarchi, Laura Gasparini
“The place in which all the features of the earth, from those of nature to those constructed by man, are represented: mountains, lakes, pyramids, oceans, cities, villages, stars, the sun.” Luigi Ghirri
This is Atlante by Luigi Ghirri, 41 photographs taken in 1973 and originally bound in an album by the photographer himself: a key project in the history of Italian contemporary photography to which MAXXI is dedicating a focus within the ambit of the new hang of the permanent collections, The Place To Be.
Acquired by a private collector directly from Luigi Ghirri around 1975 and only recently rediscovered, the unpublished restored edition is being exhibited in Italy for the first time on this occasion.
“The only journey possible would now appear to be within signs, images: within the destruction of direct experience.” Luigi Ghirri
The album, composed of photographs of a real geographical atlas, constitutes a key moment in the author’s career, at the beginning of his investigation of reality as “photomontage”; one of the first attempts to rethink the concept of “landscape” and to interrogate the codes of its representation through photography.
Ghirri worked intensively on this theme around 1973, creating various editions in which the same images were assembled in different sequences, following a practice adopted by conceptual artists and which was to become typical of his work too.
The exhibition will be enriched with archive materials – albums, folders, publications, works by other artists – that will prompt examination of the work of Ghirri himself as well as the cultural context and kindred artistic projects.
ph. Luigi Ghirri, Atlante, 1973, Courtesy private collection, Copyright Ghirri Heirs