A renewal at the heart of the museum with a new set- up of the permanent Collection
Three great photographers recount a changing landscape
A delicate, rigorous and wise recount of an Italy emerging from the ashes of the Second World War.
A captivating site-specific project in which historic works alternate with more recent sculptures and installations.
A review that ranges from the low-cost housing projects of the post-war years to new experimental and sustainable ways of inhabiting the planet
The masterpieces of the IVAM collection.
An insight on 1980 exhibition which started the international debate on post-modern
A new focus presentation of the MAXXI archives this time featuring a great photographer
Tra esperienza reale e fruizione digitale il progetto “Flashing and flashing!” espande lo spazio espositivo.
Quali sono le storie che una città è in grado di raccontare e come si può ripensare la nostra relazione con lo spazio urbano?
Ten years of performances by the artist Iginio De Luca: twenty blitzes and non-authorised urban raids in the public space of the capital city.
The landscape is a space of innovation and sharing, useful for creating “emotionally performative” natures.
Un incontro tra riflessioni ed esperienze sulla relazione fra design e territori.
IST. FEST. ROME mette insieme alcune delle menti più talentuose e creative del mondo in uno stimolante programma di panel, talk, mostre, performance, proiezioni e workshop.
Un percorso guidato alla Collezione permanente e alla mostra Paolo Di Paolo. Mondo perduto.
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TUESDAY to SUNDAY 9:30 am – 7:00 pm
FIRST SUNDAY OF EACH MONT 9:30 am – 10:00 pm
The restaurant service is closed temporarily. We are doing our best to restore the service as soon as possible. In the meantime please accept our apologies for any inconvenience caused.
For young people of between 14 and up to 25 years of age; for groups of at least 15 people and affiliated groups; accredited journalists with a valid press pass; FAI – Fondo Ambiente Italiano members; holders of Bibliocard – Biblioteche di Roma; holders of entrance tickets for the Museo Ebraico of Rome; holders of entrance tickets for La Galleria Nazionale; Enel employees and a companion, on presentation of the corporate card and a valid identity document; Consiglio Nazionale degli Architetti members; Associazione Italiana Ambasciatori del Gusto members and relatives; holders of Pro Loco membership card
For all members of families composed of two adults and at least one child (free for under-14s).
For “last hour” admissions from 5:30 PM and from 8:30 PM on Saturdays; Wednesday from 2:00 PM for Italian and European Union high school and university students – subject to the showing of personal student cards or documents, students (o9ver 14 years of age) for class groups (second level secondary schools) acquiring MAXXI educational activities; for entrance to videogallery screenings (free with the purchase of a full or reduced price entrance ticket).
Valid for two entrances on two consecutive days.
Valid for the exhibition at Extra MAXXI
Full price ticket, valid for both museum entrance and exhibition at Extra MAXXI
Reduced price ticket, valid for both museum entrance and exhibition at Extra MAXXI.
For all those under 25 years of age; for groups of at least 15 people and affiliated groups; accredited journalists with a valid press pass; FAI – Fondo Ambiente Italiano members; holders of Bibliocard – Biblioteche di Roma; holders of entrance tickets for the Museo Ebraico of Rome; holders of entrance tickets for La Galleria Nazionale; Enel employees and a companion, on presentation of the corporate card and a valid identity document; Consiglio Nazionale degli Architetti members; Associazione Italiana Ambasciatori del Gusto members and relatives; holders of Pro Loco membership card
Valid with the MINI tariff
Under 14 years old, disabled visitors requiring accompaniment, companions of disabled visitors, MiBAC employees, European Union tour guides and couriers, 1 teacher for every 10 students, ICOM members, AMACI members, accredited journalists, MAXXI membership card holder; from Tuesday to Friday, free admittance for academics and university researchers in Art and Architecture; on your Birthday; for entrance to the permanent collection, from Tuesday to Thursday and the first Sunday of every summer month; for women on 8 March.
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The collections of the MAXXI art present themselves as a strong nucleus that witnesses the national and international artistic production
The MAXXI Architettura collections comprise all those artefacts and documents that, in various ways, represent the material and conceptual complexity of architecture.
The Centro Archivi curates and manages the MAXXI's architecture collections and provides the possibility, inside the Sala Studio, to directly consult the documents and database of its twentieth and twenty-first century collections.
With the my MAXXI card experience the museum full time: unlimited and preferential access, reduced rates to participate to cultural programmes and educational activities
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Spazio Extra MAXXI*
Curated by Giulia Ferracci
produced in collaboration with Silvia Barbagallo
The exhibition has been extended until 31 March 2019
SPECIAL LAST FEW DAYS!
Over the weekends of 22-23-24 and 29-30-31 March the exhibition will be open from 11am to 10pm.
Alaways linked to the underground scene, a spokeperson of the 90s’ generation, which grew up amongst precariousness and the web, the G8 in Genoa and TV series, Michele Rech, under the pseudonym of
Zerocalcare is the protagonist of a large exhibition organised in co-production with Minimondi Eventi.
The project is organised around four core themes – Pop, Tribes, Struggle and Resistances, Non-Reportage – and it traces every year of his work featuring posters, a wide selection of illustrations, record covers, original illustrated pages from his 9 books, T-shirts, logos and a site specific work designed by the artist for this occasion.
*The exhibition has a dedicated ticket. For further information see Opening hours & tickets
Michele Rech paints a clear picture of the themes concerning the native generation of the 1980s, those who grew up surrounded by Game Boy, Marvel comics, superheroes and Pixar feature films. It is the portrait of a generation that is born with everything, but that gradually sees the rights that its fathers had conquered vanish. Young people who grow up during the economic boom, but who eventually see their dream of the nation as the promised land begin to fade. In this first part, the confrontation with today’s youth – and the sad realization that everything has changed – is ironically expressed through the presentation of pop icons and some cult comics like Pedagogia and Iggiovanidoggi, 2012, and La paura più grande, 2015. The exhibition continues with an analysis of the demons of our day and age: social networks, always being connected, and productivity. The theme ends with a series of illustrations taken from episodes of everyday life.
The picture, as realistic as it is disenchanted, of our contemporary age, the mirror of a society that is permanently in crisis, is also present in Struggles and Resistances. This section includes comic strips transformed by the artist into a playground for the formation of public space and civic life, posters, illustrations made to support a host of initiatives, self-published fanzines, periodicals devoted to an in-depth analysis of the underground culture. The theme dealt with in these boards concerns political conquests, it portrays different social opposition movements from recent years, and it describes the central role played by some occupied spaces in the development of a culture of difference.
Non – Reportage is the third section of the exhibition. The G8 in Genoa, in 2001, was a major event, which author considers a turning point in his life, the one that inspired him to create his first comic strip, published anonymously in Indymedia. A black wall is devoted to the event, and it includes boards and posters like La memoria è un ingranaggio collettivo (La nostra storia alla sbarra), 2004, Non è finita, 2006, A.F.A.B., 2011,In ogni caso
nessun rimorso, 2018.
This is followed by a series of reports on the facts from the national and international news, based on personal experiences or journeys. Besides Gaza and Iraq, in 2014, the artist traveled to Kobanî, where the Kurds of the Strip resist being attacked by ISIS, and whose history of resistance was published in 2015 in the weekly Internazionale, and later in the book Kobane Calling.
The heart of the exhibition, the section entitled Tribes, crosses all of the themes on display. A selection of about forty illustrated boards tells how the author’s most authentic truth resides in punk culture, in that which he himself calls his “tribe,” the “family you belong to,” the “Indian reservation.” The punk scene is made up of a social organism that is determined and coherent, it is expressed in currents, looks, musical genres, ideologies, and a variety of lifestyles, such as Straight Edge, a ‘philosophy’ that rejects drugs and drug abuse, which the author embraced when he was seventeen.