Zerocalcare. Digging ditches ∙ Feeding crocodiles
ZAC – ZISA ARTE CONTEMPORANEA | Palermo, Italia
26 October 2019 – 6 January 2020
photogallery
MAXXI in the world
ZAC – ZISA ARTE CONTEMPORANEA | Palermo, Italia
26 ottobre 2019 – 6 gennaio 2020

Monday closed
Tuesday to Sunday 11 am – 7 pm
the ticket office is open until 1 hour before the Museum closing
CHRISTMAS AT MAXXI
extraordinary openings and hours
Sunday 24 December 11 am – 4 pm
Sunday 31 December 11 am – 4 pm
Monday 1 January 11 am – 8 pm
Saturday 6 January 11 am – 7 pm
the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
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upon presentation of the membership Card or Carta EFFE
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valid on Wednesdays from 2 pm for high school and university students, Italian and from the European Union – upon presentation of the personal card/booklet
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for all members of families consisting of two adults and at least one child (free for children under 14)
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minors under 14 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; accredited journalists; myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document; Tuesday to Thursday for admission to Gallery 1 hosting the FUORI TUTTO exhibition
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for young people aged between 14 and 25 (not yet turned 25); for groups of 15 people or more; registered journalists with a valid ID card; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Automobile Club d’Italia (ACI), Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Poste Italiane, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
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for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
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under 14 years of age
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disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
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MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
ZAC – ZISA ARTE CONTEMPORANEA | Palermo, Italia
26 October 2019 – 6 January 2020
Monday closed
Tuesday to Sunday 11 am – 7 pm
the ticket office is open until 1 hour before the Museum closing
CHRISTMAS AT MAXXI
extraordinary openings and hours
Sunday 24 December 11 am – 4 pm
Sunday 31 December 11 am – 4 pm
Monday 1 January 11 am – 8 pm
Saturday 6 January 11 am – 7 pm
ZAC – ZISA ARTE CONTEMPORANEA | Palermo, Italia
26 ottobre 2019 – 6 gennaio 2020
Michele Rech paints a clear picture of the themes concerning the native generation of the 1980s, those who grew up surrounded by Game Boy, Marvel comics, superheroes and Pixar feature films. It is the portrait of a generation that is born with everything, but that gradually sees the rights that its fathers had conquered vanish. Young people who grow up during the economic boom, but who eventually see their dream of the nation as the promised land begin to fade. In this first part, the confrontation with today’s youth – and the sad realization that everything has changed – is ironically expressed through the presentation of pop icons and some cult comics like Pedagogia and Iggiovanidoggi, 2012, and La paura più grande, 2015. The exhibition continues with an analysis of the demons of our day and age: social networks, always being connected, and productivity. The theme ends with a series of illustrations taken from episodes of everyday life.
The picture, as realistic as it is disenchanted, of our contemporary age, the mirror of a society that is permanently in crisis, is also present in Struggles and Resistances. This section includes comic strips transformed by the artist into a playground for the formation of public space and civic life, posters, illustrations made to support a host of initiatives, self-published fanzines, periodicals devoted to an in-depth analysis of the underground culture. The theme dealt with in these boards concerns political conquests, it portrays different social opposition movements from recent years, and it describes the central role played by some occupied spaces in the development of a culture of difference.
Non – Reportage is the third section of the exhibition. The G8 in Genoa, in 2001, was a major event, which author considers a turning point in his life, the one that inspired him to create his first comic strip, published anonymously in Indymedia. A black wall is devoted to the event, and it includes boards and posters like La memoria è un ingranaggio collettivo (La nostra storia alla sbarra), 2004, Non è finita, 2006, A.F.A.B., 2011,In ogni caso
nessun rimorso, 2018.
This is followed by a series of reports on the facts from the national and international news, based on personal experiences or journeys. Besides Gaza and Iraq, in 2014, the artist traveled to Kobanî, where the Kurds of the Strip resist being attacked by ISIS, and whose history of resistance was published in 2015 in the weekly Internazionale, and later in the book Kobane Calling.
The heart of the exhibition, the section entitled Tribes, crosses all of the themes on display. A selection of about forty illustrated boards tells how the author’s most authentic truth resides in punk culture, in that which he himself calls his “tribe,” the “family you belong to,” the “Indian reservation.” The punk scene is made up of a social organism that is determined and coherent, it is expressed in currents, looks, musical genres, ideologies, and a variety of lifestyles, such as Straight Edge, a ‘philosophy’ that rejects drugs and drug abuse, which the author embraced when he was seventeen.
Spazio Extra MAXXI*
Curated by Giulia Ferracci
produced in collaboration with Silvia Barbagallo
The exhibition has been extended until 31 March 2019
SPECIAL LAST FEW DAYS!
Over the weekends of 22-23-24 and 29-30-31 March the exhibition will be open from 11am to 10pm.
The first solo exhibition dedicated to the publishing talent of Italian comics
Alaways linked to the underground scene, a spokeperson of the 90s’ generation, which grew up amongst precariousness and the web, the G8 in Genoa and TV series, Michele Rech, under the pseudonym of
Zerocalcare is the protagonist of a large exhibition organised in co-production with Minimondi Eventi.
The project is organised around four core themes – Pop, Tribes, Struggle and Resistances, Non-Reportage – and it traces every year of his work featuring posters, a wide selection of illustrations, record covers, original illustrated pages from his 9 books, T-shirts, logos and a site specific work designed by the artist for this occasion.
*The exhibition has a dedicated ticket. For further information see Opening hours & tickets
POP
STUGGLES AND RESISTENCES
NON-REPORTAGE
TRIBES