Monday closed
Tuesday to Sunday 11 am – 7 pm
Sunday 24 December 11 am > 4 pm
Monday 25 December closed
Tuesday 31 December 11 am > 4 pm
Wednesday 1 January 11 am > 7 pm
Monday 6 January 11 am > 8 pm
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Frecciarossa or a Frecciargento ticket to Rome purchased between 27 November 2024 and 20 April 2025
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
13 Dec 2024 04.30 pm
talkAldo Rossi. Ecologieby Vincenzo Moschetti
13 Dec 2024 06.30 pm
talk40 anni di Viaggio in Italia
18 Dec 2024 04.30 pm
visita guidata gratuita per i docentiThe Large Glass
14 Jan 2025 06.30 pm
lectureIn movimento: danza, coreografia, architetturawith Susanne Franco
Guido Reni Hall – admittance € 5,00 – 3 meetings € 10,00 – free for myMAXXI cardholders.
Purchase of a ticket provides for reduced price museum entrance within one week of issue.
A project conceived and curated by Anna Lea Antolini, with the academics Ada D’Adamo, Rossella Battisti, Gaia Clotilde Chernetich and the dancers from the Balletto di Roma Fabio Novembrini, Roberta Racis and Francesco Saverio Cavaliere.
Performance and dance, a project based on the active participation of academics, dancers and the audience
Through a practical-theoretical lesson open to all and based on simple actions that from everyday life achieve the status of dance, the meeting stimulates non-conventional audience participation.
Introducing the audience to the performative idiom through its history and the experience of ordinary action, we re-evaluate the everyday and its gestures within an artistic context and rediscover that performance art belongs to the history of humanity.
Each lesson is animated by an expert in dance, a dancer and by the audience itself and is composed of a practical-theoretical part and one of “physical transmission”, rethinking actions we know well but never stop to think about and discovering in an informal way the key passages in the history of dance and performance.
Stand up/fall down
with Ada D’Adamo and Fabio Novembrini
In the first encounter we start out from the condition that distinguishes the human being from the animal: standing up. This “natural” state is the point of departure for an investigation of the pairing “stand up/fall down”, in a continual dialectic between verticality and horizontality that produces meaning on the symbolic, physical and expressive planes. Suggestions and visions from literature and art, from film and the news stimulate this path to explore together – in both body and observing key moments in the history of dance and performance – the inexhaustible dialogue between everyday gesture and danced gesture.
Coproduced with Cro.me – Cronaca Memoria dello Spettacolo for R.I.SI.CO. Interactive network for Choreographical Systems in collaboration with MAXXI, with the direct participation of the Balletto di Roma and the contribution of Mibact – Live Performance Department