know-how

OPEN CALLNarrare per immagini

other events of the MAXXI Know How 2018 cycle

archive

OPEN CALLEducating, learning and interpreting in 21st Century museums

20 November 2018 > 08 January 2019

OPEN CALLArt and architecture publishing

24 October 2018 > 22 November 2018

OPEN CALLEsporre

22 May 2018 > 18 June 2018

OPEN CALLDigital Think-in Lab / 2018

16 April 2018 > 07 May 2018

OPEN CALLOggi al museo. Educating, learning, interpreting

26 January 2018 > 22 February 2018

Other upcoming events

31 Jan 2023 ore 18:00

auteur conversationsInvernomuto
3 Feb 2023 ore 18:00

books at MAXXIDiritti dell’uomoby Louis Henkin
7 Feb 2023 ore 18:00

talkPier Paolo Pasolini and Andy WarholTwo visions of contemporaneity
7 Feb 2023 ore 18:00

talkTerritori della performanceIl linguaggio video tra opera d’arte, spazio di memoria e sperimentazione
9 Feb 2023 ore 18:00

talkWomen artists and feminism in ItalyFor a non-hegemonic rereading of Art History
10 Feb 2023 ore 14:30

round table + film screeningRagazzi di vita / The Street KidsMagic Carpets a project beyond suburbia

Select a date

Photography Centre MAXXI Architecture
Simona Antonacci is an art historian, born in Rome in 1982. After being awarded a Master’s degree in Contemporary art history at the “La Sapienza” University, she attended the Postgraduate specialty school at the University of Siena, writing a dissertation on Eventualism and the Gruppo di Piombino. She is currently teaching assistant and doctoral student at Università della Tuscia with a project dedicated to the activity of the exhibiting spaces and magazines in Rome in the Eighties and Nineties.
Trained in museology and didactics, from 2005 to 2012 she worked for the Education Department of the MAXXI Museum of Arts of the 21st century, after which she moved to the Photography Centre of MAXXI Architecture. From 2008 to 2013 she worked with the Wunderkammern cultural association, other than curating events and projects dedicated to contemporary art and photography and publishing articles on specialized magazines.

Sorry, this entry is only available in Italian.

Sorry, this entry is only available in Italian.

Marco De Mutiis is a curator, media artist and researcher. He works as Digital Curator for Fotomuseum Winterthur (Switzerland) where he leads and co-curates the SITUATIONS programme, an experimental exhibition format and research lab on the changes within contemporary photography. His current research interests lie in simulations of photography in digital spaces and computer games, and generally at mutations, remediations and transformations of photographic media.

Sorry, this entry is only available in Italian.

Mirjam Kooiman is an art historian and curator at Foam Photography Museum Amsterdam, where she was responsible for shows including Ai Weiwei – #SafePassage, Daisuke Yokota – Matter, Awoiska van der Molen – Blanco, and the traveling Foam Talent exhibitions of 2015 and 2016. In 2017 she also initiated a series of collaborations with photography platforms in Mexico, Nigeria and Indonesia in Foam’s project space Foam 3h, in order to create an exchange of cultural knowledge on photography discourses worldwide. She is currently researching how photography relates to virtual realities and online experiences. Mirjam holds a BA in Art History and a MA in Museum Curating from the University of Amsterdam.

Sorry, this entry is only available in Italian.

Sorry, this entry is only available in Italian.

Curator of Camera – Centro Italiano di Fotografia, Turin, Francesco Zanot has worked on exhibitions and publications with many international photographers. In recent years he has curated books dedicated to artists such as Mark Cohen, Guido Guidi, Olivo Barbieri, Luigi Ghirri, Takashi Homma, Linda Fregni Nagler, Francesco Jodice, Boris Mikhailov, as well as Erik Kessels’s last retrospective The Many Lives. Together with Alec Soth, he is the author of the essay Ping Pong Conversations. Director of the Master in Photography organised by the NABA, Milan, he has given classes and lectures in numerous academic institutions, among them the Columbia University, New York, ECAL, Lausanne, and IUAV, Venice. He curated the inaugural exhibition Give Me Yesterday at Fondazione Prada Osservatorio, Milan, which opened to the public in 2016