until 29 May, valid for all exhibitions currently on view, due to the rearrangement of selected galleries and the implementation of energy efficiency improvements to the buildings
valid for one year from the date of purchase
– minors under 18 years of age;
– myMAXXI cardholders;
– on your birthday presenting an identity document;
– upon presentation of EU Disability Card holders and or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators;
– MiC employees;
– journalists who can prove their business activity;
– European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums);
– 1 teacher for every 10 students;
– AMACI members;
– CIMAM International Committee for Museums and Collections of Modern Art members;
– ICOM members;
– from Tuesday to Friday (excluding holidays) European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students;
– IED Istituto Europeo di Design professors, NABA Nuova Accademia di Belle Arti professors, RUFA Rome University of Fine Arts professors;
– upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie;
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
20 May 2025 06.00 pm
books at MAXXIC’era una volta Hollywoodby David Niven
20 May 2025 06.30 pm
talkRiabitare Roma. Palazzina LIVEby IT’S ARCHITETTURA
21 May 2025 06.00 pm
talkBeyond the AudibleThe Electrical Jubilee in Christina Kubisch's Sound Paths
23 May 2025 07.00 pm
talkÈ stato un casoby Massimiliano Fuksas
24 May 2025 04.30 pm
MAXXIperTUTTIGeografie liquidelab in LIS
27 May 2025 06.00 pm
books at MAXXIL’uomo che arrestò Mussoliniby Mario Avagliano
Video Gallery – admittance € 5
Ticket purchases comprise reduced price (€8) museum entrance within a week of issue.
admittance €4 for myMAXXI cardholders – special myMAXXI carnet for four seminars €12
A series of lectures dedicated to Italian artist film and video from the ’60s through to the present day on the occasion of the artapes season
Four seminars with four different academics exploring a number of themes and aspects of the relationship between artists and moving images, from the historical-artistic context to the political and performative point of view, from contaminations between the cinematic and the electronic media and through to the found-footage procedure.
Form the moment in which in the mid-Sixties an economic portable model appeared on the market, the video camera became the new and accessible instrument with which artists could create a work in “real time”. Electronic technology finally offered the freedom and mobility necessary for full control over the creative process, both in terms of the independence from the technical constraints of recording on film stock and for the possibility of having thanks to live transmission, immediate feedback on what is captured by the camera.
In the second lecture Cristiana Perrella, curator and critic, analyses the relationship between video and artistic practices associated with the body, contextualizing the Italian experiences within the broader international scene.
Cristiana Perrella. Curator and critic, between 1998 and 2008 she directed the Contemporary Arts Programme of The British School at Rome. From 2010 she has curated the artistic side of the activities of the Fondazione Golinelli in Bologna. As an independent curator she has worked with Italian and international institutions including MAXXI. She lectures at the IED in Rome.