Monday closed
Tuesday to Sunday 11 am – 7 pm
Saturday and Sunday last entry at 5:30 pm
EARLY TICKET OFFICE CLOSURES
the ticket office closes at 5:30 pm
• Thursday, 25 and Friday, 26 April
• Thursday, 2 and Friday, 3 May
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Automobile Club d’Italia (ACI), Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, CRAL UniRoma3 APS, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Poste Italiane, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
upon presentation of the membership Card or Carta EFFE
buy online
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
5 May 2024 ore 16:00
MAXXIperTUTTIIl corpo e l’architetturatactile lab
11 May 2024 ore 16:00
MAXXIperTUTTIMind the bend!Italian Sign Language workshop for families
18 May 2024 ore 16:00
MAXXIperTUTTIToccare lo spaziotactile lab
19 May 2024 ore 11:00
MAXXIperTUTTISign, body, spaceItalian Sign Language guided tours
Video Gallery – admittance € 5
Ticket purchases comprise reduced price (€8) museum entrance within a week of issue.
admittance €4 for myMAXXI cardholders – special myMAXXI carnet for four seminars €12
A series of lectures dedicated to Italian artist film and video from the ’60s through to the present day on the occasion of the artapes season
Four seminars with four different academics exploring a number of themes and aspects of the relationship between artists and moving images, from the historical-artistic context to the political and performative point of view, from contaminations between the cinematic and the electronic media and through to the found-footage procedure.
Form the moment in which in the mid-Sixties an economic portable model appeared on the market, the video camera became the new and accessible instrument with which artists could create a work in “real time”. Electronic technology finally offered the freedom and mobility necessary for full control over the creative process, both in terms of the independence from the technical constraints of recording on film stock and for the possibility of having thanks to live transmission, immediate feedback on what is captured by the camera.
In the second lecture Cristiana Perrella, curator and critic, analyses the relationship between video and artistic practices associated with the body, contextualizing the Italian experiences within the broader international scene.
Cristiana Perrella. Curator and critic, between 1998 and 2008 she directed the Contemporary Arts Programme of The British School at Rome. From 2010 she has curated the artistic side of the activities of the Fondazione Golinelli in Bologna. As an independent curator she has worked with Italian and international institutions including MAXXI. She lectures at the IED in Rome.