for young people aged between 14 and 25 (not yet turned 25); for groups of 15 people or more; registered journalists with a valid ID card; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine degli Assistenti Sociali, Ordine dei Medici Chirurghi e degli Odontoiatri, Ordine Psicologi Lazio, Palazzo delle Esposizioni, Rinascente, Romaeuropa Festival, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard. buy online
valid on Wednesdays from 2 pm for high school and university students, Italian and from the European Union – upon presentation of the personal card/booklet. buy online
minors under 14 years of age; disabled people requiring companion; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; accredited journalists; myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document; for the entrance to gallery 1, from Tuesday to Thursday. book online
for all members of families consisting of two adults and at least one child (free for children under 14); upon presentation of the Feltrinelli card or the “mini” ticket; all MAXXI reductions. buy online
minors under 14 years of age; disabled people requiring companion; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); ICOM members; AMACI members. book online
for young people aged between 14 and 25 (not yet turned 25); for groups of 15 people or more; for all members of families consisting of two adults and at least one child (free for children under 14); upon presentation of the card: Rinascente; registered journalists with a valid ID card.
minors under 14 years of age; disabled people requiring companion; upon presentation of myMAXXI card or Legendary Ticket; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; accredited journalists. book online
upon presentation of myMAXXI card or Legendary Ticket; young people aged between 14 and 25 years – not completed; groups of 12 people; all members of families consisting of two adults and at least one child (free for under 14s); registered journalists with a valid ID card. buy online
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
The story of the relationship between structural engineering, whether vernacular or avant-garde, and the invasion of technology into our operating and living spaces.
The exhibition is arranged in two sections corresponding with the two great universes of technological innovation and construction engineering.
Along the first itinerary, developed in collaboration with universities and research centres, we will discover installations and interactive pavilions that will allow us to understand the role played today by scientific and technological sectors that we would never have imagined in conjunction with architecture: from science applied to the environment to “smart” devices for city management, from the obsession with big data to the return of vintage, low-tech assembly techniques.
Along the second itinerary, organised into thematic areas, we find the work of great structural engineers from the post-war period to the present day, highlighting several approaches and symbolic buildings such as the Beaubourg or the Sydney Opera House, and the most striking cases where the task of form-finder falls entirely on the structural designer.
header: Alexander Graham Bell kissing his wife Mabel Hubbard Gardiner Bell, who is standing in a tetrahedral kite, Baddeck, Nova Scotia. Credit Prints and Photographs Division Washington, Library of Congress, LC-DIG-ds-06863.
The story of the relationship between structural engineering, whether vernacular or avant-garde, and the invasion of technology into our operating and living spaces.
The exhibition is arranged in two sections corresponding with the two great universes of technological innovation and construction engineering.
Along the first itinerary, developed in collaboration with universities and research centres, we will discover installations and interactive pavilions that will allow us to understand the role played today by scientific and technological sectors that we would never have imagined in conjunction with architecture: from science applied to the environment to “smart” devices for city management, from the obsession with big data to the return of vintage, low-tech assembly techniques.
Along the second itinerary, organised into thematic areas, we find the work of great structural engineers from the post-war period to the present day, highlighting several approaches and symbolic buildings such as the Beaubourg or the Sydney Opera House, and the most striking cases where the task of form-finder falls entirely on the structural designer.
header: Alexander Graham Bell kissing his wife Mabel Hubbard Gardiner Bell, who is standing in a tetrahedral kite, Baddeck, Nova Scotia. Credit Prints and Photographs Division Washington, Library of Congress, LC-DIG-ds-06863.