Artificial Intelligence. An ethical challenge.Paolo Benanti, Diego Ciulli and Francesco Spampinato
an event within
other events of the Low Form cycle

Monday closed
Tuesday to Sunday 11 am – 7 pm
Monday 8 December 11 am > 7 pm
Wednesday 24 December 11 am > 4:30 pm
Thursday 25 December closed
Wednesday 31 December 11 am > 4:30 pm
Thursday 1 January 11 am > 7 pm
Monday 5 January 11 am > 7 pm
Tusday 6 January 11 am > 7 pm
– for young people aged between 18 and 25 (not yet turned 25);
– for groups of 15 people or more;
– La Galleria Nazionale, Museo Ebraico di Roma ticket holders;
– upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard;
valid for one year from the date of purchase
– minors under 18 years of age;
– myMAXXI cardholders;
– on your birthday presenting an identity document;
– upon presentation of EU Disability Card holders and or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators;
– MiC employees;
– journalists who can prove their business activity;
– European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums);
– 1 teacher for every 10 students;
– AMACI members;
– CIMAM International Committee for Museums and Collections of Modern Art members;
– ICOM members;
– from Tuesday to Friday (excluding holidays) European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students;
– IED Istituto Europeo di Design professors, NABA Nuova Accademia di Belle Arti professors, RUFA Rome University of Fine Arts professors;
– upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie;
it is mandatory to arrive at the infopoint 15 minutes before the start time indicated on the ticket
it is mandatory to arrive at the infopoint 15 minutes before the start time indicated on the ticket
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.


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Carlo Scarpa Hall – 5 euros
An event dedicated to relationship between ethics and robotics, between fundamental right and moral duties
The scientific and technological progress made in robotics today allow us to build systems to accompany or replace human beings in an increasing range of tasks: personal assistants to vulnerable people, automatic vehicles, robotic systems for surgery or rehabilitation medicine, surveillance systems and fully automatic weapons. Just a few examples are sufficient to highlight the relationship between ethics and robotics especially with regards to people’s fundamental rights and corresponding moral duties.
Introduced by
Bartolomeo Pietromarchi Director of MAXXI Art
Speakers
Padre Paolo Benanti professor at Pontifica Università Gregoriana in Rome and expert in bioethics, ethics of technology and human adaptation
Diego Ciulli Public Policy and Government Relations Manager, Google
Francesco Spampinato contemporary art and visual culture historian
Moderated by
Federico Ferrazza Wired