for young people aged between 18 and 25 (not yet turned 25);
for groups of 15 people or more; registered journalists with a valid ID card; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
6 Nov 2024 04.30 pm
visita guidata gratuita per i docentiArchitettura instabile
7 Nov 2024 06.00 pm
talkThe life of Alighiero Boettiby Giorgio Colombo
14 Nov 2024 08.30 pm
concertCaminantes with Luigi Nono
MAXXI Auditorium – € 5
carnet for three meetings € 10
10 individual seats free and reserved for myMAXXi cardholders by writing to mymaxxi@fondazionemaxxi.it, by the day before the event
Three meetings dedicated to advertising graphics, interior design, product design, and all creatives who have made the image of the Ivrea factory famous throughout the world.
The third cycle of the project created in collaboration with the Adriano Olivetti Foundation comes to the MAXXI. In the panorama of Italian and world industry, Adriano’s Olivetti has become the emblem of Made in Italy, and stands out for its corporate style based on technological excellence, innovation, quality, and design, respect for the market but also its strong commitment to art and culture, to sensitivity towards social problems and the constant improvement of the relationship with employees and the territory, in an extraordinary balance between design, society, and technology.
Interior design
with Enrico Morteo
Olivetti’s design is both an ethical and aesthetic experience that permeates the Ivrea factory and affirms the presence and image of the company throughout the world. The quality of the products, visual communication, and organisation of the spaces are an innovative logic of the company as formal, functional, and technological research. Special attention is given to the care and experimentation of interior design from the office furniture, which is witness to the evolution of work, to the setting up of the showrooms in any part of the world, which are transformed into real works of art.
Inspired by his travel in America in the early 1930s, Adriano Olivetti entrusted the project to create a horizontal modern filing cabinet to Aldo Magnelli. This object was initially designed to be used within the company, and the Synthesis filing cabinet was successful on the market so much so that it was produced in series in the Massa factory, the same which would later host the production of the famous and iconic Synthesis Sistema 45 designed by Ettore Sottsass. At the same time, in the shops and showrooms throughout the world, the dialogue among the most important architects and artists of the time imprinted and personalised the avant-grade of the “Olivetti style”.
Introduction
Margherita Guccione MAXXI Architettura Director
Beniamino de’ Liguori Carino General Secretary of the Adriano Olivetti Foundation
Speaker
Enrico Morteo architect and design historian and critic
Enrico Morteo is an architect and design historian and critic. Since 2010 he has been the curator of the Golden Compass Historic Collection. Curator of the Olivetti. A beautiful company exhibit, Turin, 2008 (with M. De Giorgi), he has also collaborated with leading Italian magazines (Domus, Interni, Abitare, Modo) and taught Design Theories and History at the IIUAV.