REOPENING: 22-23-24/29-30-31 May and from 2 June on the usual opening days and hours
40 years on from his death, MAXXI is dedicating a major retrospective to him that studies and presents his versatility, starting out with an account of his architecture.
A new focus presentation of the MAXXI archives this time featuring a great photographer
The Young Architects Program, launched and coordinated by MoMA, reaches its 8th edition at MAXXI.
Seven leading international designers have been asked to investigate and present their vision regarding seven themes and functions of habitation.
REOPENING: from 18 June 2020
A review that ranges from the low-cost housing projects of the post-war years to new experimental and sustainable ways of inhabiting the planet
REOPENING: from 18 June 2020
A space inspired by Pier Luigi Nervi that visitors may enter and move around.
Three canvases combine words, painting and gestures in a critical rethinking of the past as a means of building friendships, solidarity and alliances.
Il ritorno al fumetto di Gipi con l'opera più toccante, intensa, complessa e graficamente sconvolgente della sua carriera.
Luca Archibugi racconta Clara Schumann, moglie del compositore tedesco Robert, la schizofrenia di lui, la bravura al piano di lei e il gesto folle che lui compì per eguagliarla.
«Nella storia nulla è predeterminato; la storia è una traccia lasciata nel tempo da scelte umane molteplici e di diversa origine, quasi mai coordinate», Zygmunt Bauman.
200 people, 200 portraits of a never seen Gastel. Faces who: «Have passed on something to me, taught me, touched my soul».
L’epopea di un uomo che cerca il suo posto nel mondo, e per questo dovrà lottare e mettere in gioco tutto: i valori, gli affetti, la famiglia, la vita.
TUESDAY 11:00 am – 7:00 pm
WEDNESDAY 11:00 am – 7:00 pm
THURSDAY 11:00 am – 7:00 pm
FRIDAY 11:00 am – 7:00 pm
SATURDAY 11:00 am – 7:00 pm
SUNDAY 11:00 am – 7:00 pm
The ticket office is open until 1 hour before Museum closing.
purchase and choose the date and time of your visit. Until 13 September.
under 14 years old; disabled visitors requiring accompaniment; MiBACT employees; European Union tour guides and couriers; 1 teacher for every 10 students; ICOM members; AMACI members; accredited journalists; myMAXXI membership cardholders; Tuesday to Friday – academics and university researchers in Art and Architecture; on your Birthday presenting an ID card.
The collections of the MAXXI art present themselves as a strong nucleus that witnesses the national and international artistic production
The MAXXI Architettura collections comprise all those artefacts and documents that, in various ways, represent the material and conceptual complexity of architecture.
The Centro Archivi curates and manages the MAXXI's architecture collections and provides the possibility, inside the Sala Studio, to directly consult the documents and database of its twentieth and twenty-first century collections.
With the my MAXXI card experience the museum full time: unlimited and preferential access, reduced rates to participate to cultural programmes and educational activities
Abbiamo bisogno di poter contare su di una rete di sostenitori, per incrementare la collezione permanente, tutelare la conservazione delle opere e offrire e al nostro pubblico un programma culturale di qualità.
Donate your Cinque per Mille to the MAXXI Foundation
curated by Hou Hanru and Giulia Ferracci
The exhibition intends to put forward some of the most important trends of creative explorations of the contemporary reality intensively incarnated in the city’s development and destiny. It will present some 36 artists, architects, filmmakers, musicians, dancers, researchers, activists with their diverse forms of expressions negotiating between critical reflections of recent history of conflicts, through archiving and re-enacting memories, and prospections of the future, through attempts of urban transformation and global outreaching, periodically interrupted by urgent problems and frustrations of the present.
It will be structured in several sections reflecting efforts to build homes in a highly complicated urban context to accommodate different intellectual claims and artistic imaginations as well as various political positions.
A special thanks to Philippe and Zaza Jabre
Etel Adnan Tapestry: Untitled, 2013 Wool Courtesy the Artist and Sfeir-Semler Gallery Beirut-Hamburg Photo Musacchio - Ianniello - Pasqualini
The memory of war is more than often a presence that looms over the art produced in Beirut. From the civil war of a few decades ago (1975–90) to the more recent con ict with Israel (the Lebanon War of 2006), and the current crisis on the Syrian border, artists have been rst-hand witnesses to the hostilities, observing them and rendering them from a variety of perspectives. This goes from a prevalently documentary approach that favors the photographic medium to more personal views in recent years, often tied to one’s family life, which turns to media such as drawing, often adopting the language of comics or graphic novels, and music. The processing of this trauma has generated most of the works present in this section.
The current refugee crisis that draws three continents (Europe, Africa, Asia) closer and closer together is nothing new in Beirut. At various moments in history, Armenians, Greeks, Syrians, and Palestinians have found refuge in the city, contributing – in various ways and on diverse levels – to its constant renewal and reconstruction. Different cultures and religions have found a common home in Lebanon, in a process that has not been devoid of conflict. This complex history spanning the centuries has generated a multilayered identity that artists have constantly questioned, in keeping with an international tendency that marks the era of globalization.
Roma, Museo del Maxxi 14 11 2017 HOME BEIRUT. SOUNDING THE NEIGHBORS ©Musacchio - Ianniello - Pasqualini
Over the course of history, Beirut has been the theater of conflicts and moments of reconciliation. The events of the past have left tangible traces, and the radical changes faced by the territory are the focus of this section of the exhibition. From war zones to refugee camps, from the worksites of the construction boom of the past twenty years to the surrounding hills, and from abandoned ruins to the spectacular buildings designed by starchitects, the grid of the city has been radically modi ed by the joint action of human intervention and natural disasters.
The complexity of Beirut’s image has offered artists great inspiration for research, spawning a vast production that also contemplates urban planning and the architectural dimension. This goes from the general – such as maps and the skyline – to details, such as the river crossing the city, or the port with its cultural and commercial exchanges.
Sirine Fattouh Entre les Ruines, 2014 Video, color, sound Courtesy the Artist
Destruction, passion and pleasure have been bounded to coexist indissolubly in Beirut. Despite contingent reality – wars and the ensuing trauma, and the unease of a complex present – the city has reacted with a rich production of the visual arts, music, dance, theater, cinema, and poetry, which this section of the exhibition examines in depth.
Artists have drawn inspiration from the painful history of Beirut, analyzing moments of tension and transforming them into acts of life. From ruins and on ruins, artists create, write, and dance to assert their humanity joyfully, despite everything. Joy and art represent a true form of resilience. Actions of exceptional vitality dialogue with the experience of loss; forms of exultance are the response to a difficult present experienced intensely.