Monday closed
Tuesday to Sunday 11 am – 7 pm
EARLY TICKET OFFICE CLOSURES
Saturday and Sunday last entry at 5:30 pm
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Automobile Club d’Italia (ACI), Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, CRAL UniRoma3 APS, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Poste Italiane, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
16 May 2024 ore 18:00
talkArte e architettura in dialogoUn racconto dagli archivi
16 May 2024 ore 19:00
Le ConversazioniJames Ellroy
18 May 2024 ore 16:00
MAXXIperTUTTIToccare lo spaziotactile lab
19 May 2024 ore 11:00
MAXXIperTUTTISign, body, spaceItalian Sign Language guided tours
19 May 2024 ore 17:00
MAXXI Med performanceMurmur Theoryby Marco Gobbi and Francesco Fonassi
21 May 2024 ore 17:30
conferencePrimo TesoroThe Premio Strega books 1947-2021
Guido Reni Hall – single ticket €5.00 – carnet five seminars €20.00 – free for myMAXXI cardholders and students of art and architecture eligible for educational credits.
Purchase of a ticket entitles the holder to reduced price museum entrance within a week of issue.
A series of seminars devoted to the history of Italian photography from the Seventies to the present
On the occasion of the exhibition Extraordinary visions L’Italia ci guarda international lecturers, critics and researchers will be meeting the public to explore the fundamental episodes in the history of photography and to introduce the great masters who have borne testimony to and documented the history of Italy.
Over the last few years, photography has changed radically; its uses and functions have modified and hybridized. Francesco Zanot, Curator of CAMERA – Centro Italiano per la Fotografia in Turin, , explains how the photographic idiom has transformed, adapting and responding to the stimuli of the times. The means by which the images are captured has changed, keeping pace with technological innovation and being grafted onto other devices. Artists have contributed to and have been influenced by these changes. The archive has become a fundamental reservoir for the development of works based on pre-existing images: taken, recontextualized and frequently manipulated. The result is an ecology of images, which has resulted in a definitive detachment from the photography of reality and led to works of a prevalently installative nature.
The Histories of Photography project has been produced thanks to the support of MINI, a MAXXI Public Programs Partner