A new focus presentation of the MAXXI archives this time featuring a great photographer
A review that ranges from the low-cost housing projects of the post-war years to new experimental and sustainable ways of inhabiting the planet
An exhibition dedicated to those artistic paths that seek another dimension, of absolute, between universal, material and immaterial, immanent and transcendent.
40 years on from his death, MAXXI is dedicating a major retrospective to him that studies and presents his versatility, starting out with an account of his architecture.
Il mondo di Altan raccontato con disegni originali, poster, illustrazioni, quadri, schizzi, tavole, libri e filmati.
A focus show on the architecture of Louis Kahn through the photographs of Roberto Schezen.
A space inspired by Pier Luigi Nervi that visitors may enter and move around.
La spiritualità vista attraverso lo sguardo degli artisti, domande e interrogativi sulle contraddizioni dell’essere.
In the year of its 10th anniversary, MAXXI chooses to give great space to Italian creativity, by hosting the winners of the competition held by the MiBACT Italian Council.
Three canvases combine words, painting and gestures in a critical rethinking of the past as a means of building friendships, solidarity and alliances.
EVENTO ANNULLATO. Di fronte a un vivere quotidiano sempre più complesso, l’abitare acquista significati sempre più ampi: abitare significa oggi vivere un luogo, nel suo significato più ampio possibile.
Un laboratorio di comunicazione visiva e grafica editoriale per sviluppare il talento grafico nascosto in tutti noi. Come si progetta una copertina o una pagina interna per una prestigiosa rivista?
Every weekend our cultural mediators accompany you on an exploration of the works in the #spiritualealMAXXI exhibition.
Five authorial and informative lessons, to recount the evolution of a language that has been able to go through the last decades of with great creativity.
Presentato a Cannes nel 2017, candidato all’Oscar l’anno successivo, è un “perfetto studio su volti e luoghi”, un resoconto eccitante e gioioso di due artisti al lavoro.
TUESDAY 11:00 am – 7:00 pm
WEDNESDAY 11:00 am – 7:00 pm
THURSDAY 11:00 am – 8:00 pm
FRIDAY 11:00 am – 8:00 pm
SATURDAY 11:00 am – 8:00 pm
SUNDAY 11:00 am – 7:00 pm
The ticket office is open until 1 hour before Museum closing.
Every Monday, 1 May, 25 December
for young people of between 14 and up to 25 years of age; for groups of at least 15 people and affiliated groups; accredited journalists with a valid press pass; FAI – Fondo Ambiente Italiano members; holders of Bibliocard – Biblioteche di Roma; holders of entrance tickets for the Museo Ebraico of Rome; holders of entrance tickets for La Galleria Nazionale; Consiglio Nazionale degli Architetti members; Associazione Italiana Ambasciatori del Gusto members and relatives; holders of Pro Loco membership card.
for all members of families composed of two adults and at least one child (free for under-14s).
every Tuesday, access the museum at a reduced price, thanks to Enel . Valid until 15 March, on the occasion of “on the spiritual matter of art” exhibition.
for “last hour” admissions from 5:30 pm (Tuesday, Wednesday and Sunday) and from 6:30 pm (Thursday, Friday and Saturday); Wednesday from 2:00 PM for Italian and European Union high school and university students – subject to the showing of personal student cards or documents, students (o9ver 14 years of age) for class groups (second level secondary schools) acquiring MAXXI educational activities; for entrance to videogallery screenings (free with the purchase of a full or reduced price entrance ticket).
valid for two entrances on two consecutive days.
valid for exhibition entrance at Extra MAXXI.
valid for museum entrance and Extra MAXXI.
for young people between 14 and up to 25 years of age; for groups of at least 15 people and affiliated groups; accredited journalists with a valid press pass; FAI – Fondo Ambiente Italiano members; holders of Bibliocard – Biblioteche di Roma; holders of entrance tickets for the Museo Ebraico of Rome; holders of entrance tickets for La Galleria Nazionale; Consiglio Nazionale degli Architetti members; Associazione Italiana Ambasciatori del Gusto members and relatives; holders of Pro Loco membership card.
present a ticket to the National Etruscan Museum of Villa Giulia and access the MAXXI at a reduced price. Furthermore, by presenting a MAXXI ticket at the National Etruscan Museum of Villa Giulia, you will have access to € 7 instead of 10. Valid until 15 March, on the occasion of the exhibition “on the spiritual matter of art”.
under 14 years old, disabled visitors requiring accompaniment, companions of disabled visitors, MiBAC employees, European Union tour guides and couriers, 1 teacher for every 10 students, ICOM members, AMACI members, accredited journalists, MAXXI membership card holder; from Tuesday to Friday, free admittance for academics and university researchers in Art and Architecture; on your Birthday; for entrance to the permanent collection, from Tuesday to Thursday; for women on 8 March.
Click here for more information
The collections of the MAXXI art present themselves as a strong nucleus that witnesses the national and international artistic production
The MAXXI Architettura collections comprise all those artefacts and documents that, in various ways, represent the material and conceptual complexity of architecture.
The Centro Archivi curates and manages the MAXXI's architecture collections and provides the possibility, inside the Sala Studio, to directly consult the documents and database of its twentieth and twenty-first century collections.
With the my MAXXI card experience the museum full time: unlimited and preferential access, reduced rates to participate to cultural programmes and educational activities
Abbiamo bisogno di poter contare su di una rete di sostenitori, per incrementare la collezione permanente, tutelare la conservazione delle opere e offrire e al nostro pubblico un programma culturale di qualità.
Donate your Cinque per Mille to the MAXXI Foundation
Carlo Scarpa Room
Future Architecture Platform is a European program which promotes talents in architecture. Created by an association of 19 institutional bodies, Future Architecture Platform is based on an open call and a selection process in the form of an on—line voting procedure of the projects submitted. The platform selects 25 finalist proposals and turns them into a program of exhibitions, events and workshops shared by all the participating institutions.
The program objective is to identify young groups of professionals, creative talents and enthusiasts from different parts of the world whose ideas are able to tell us the future of architecture. In line with its nature, MAXXI chose to relate to the Future Architecture Platform project with its consolidated strategy of promoting young talents, presenting the artworks of five of the 25 finalist groups in the exhibition and offering to five more studios the opportunity to personally tell the research they have been carrying out in a series of talks which will take place in the piazza of the Museum during summer.
Through their exhibited projects, Future Architecture Platform finalists help us understanding how architecture may play a role in our future societies thanks to innovative solutions in the field of technology, of social space, in the relationship between architecture and its users, as well
as in the very same idea of construction and cooperation.
Esen Gökçe Özdamar, Ahmet Bal, Şermin Şentürk, Murat Ateş – Turkey
Bioplarch is a research project that focuses on understanding the nature of starch based bio—composite materials as a potential architectural material. The aim of the project is to understand whether starch based bioplastic can be used as costruction material both as a facade material and as an interior space furnishing and whether it can function better when blended with fibers.
Potato starch, glycerol, vinegar and water, as being the basic ingredients of hand—crafted bioplastics are blended with natural or synthetic fibers such as pellet (compressed agglomerates, canola, rice, sunflower, molasses stalk sunflower stalk), lignin, synthetic fibers, beewax, gum tragacanth, fly ash, coffee, wood fibers and different additives in order to improve moisture susceptibility and the strength
of the material.
PLAN COMÚN – Chile
Felipe De Ferrari, Diego Grass,Thomas Batzenschlager, Marcelo Cox,Kim Courrèges, Pedro Correa, Pedro Hoffmann,Luca Magagni, Ciro Miguel, Bruna Canepa,Hamed Khosravi, UMWELT, WAI Think Tank
The city is now controlled by the ups and downs of market economy. As architects, designers, authorities and citizens, we must reclaim the common right to the city in the public realm. Common Places is a collaborative research initiated and promoted by architecture office Plan Común, founded in 2012 and focused on research and production of strategies and projects
for maximizing public & collective spaces. The goal is to offer alternatives, which
re—validate the public value of architecture as the way of thinking and building our cities. There are all kinds of themes or subjects of interest, from big scale to intimate spaces. The potential of architecture in this reproduction is based on disciplinary tools such as text and neutral drawings dealing with canonical architectural elements. The 24 cases featured here are part of the results of this research, which will be published during
Jack Self – United Kingdom
The Derivative Architecture series (2011—2020) is a decade—long project focused on new forms of domestic architecture, experimental financial models and communitarian ownership. It treats the terms and conditions of debt as a field for architectural design, in order to create more egalitarian, cooperative and inclusive forms of housing.
Products of the research include a trilogy of design projects: The Ingot a 350m gold—plated tower designed to house low—paid, precarious workers, Default Grey, it is an experiment in forms of communal life and Empire Hotel a members club where annual fees confer the right to stay in one of its rooms.
URBZ – India
Matias Echanove, Jai Bhadgaonkar,Ketaki Tare, Bharat Gangurde
According to Bruno Latour, we lost the future somewhere in the twentieth century. We are only left with an “avenir”. L’avenir is what comes to us as opposed to the future, which we were foolishly projecting. The externalities we produced and ignored in the process are now overwhelming us. Anticipating what is coming next requires no less creativity and foresight than drawing the future on a blank page. URBZ embraces the present — regardless of how screwed up it is — with a mix of enthusiasm and pragmatism. Instead of inventing the ‘city of the future’ (smart or otherwise) from an academic research lab or an architects’ studio, the existing city becomes the starting point, building connections between one’s own expertise and the knowledge of actors who are rooted in their daily lives.
Lavinia Scaletti – United Kingdom
With an estimated population of 10 million people by 2035, London needs more homes. Following the current models of housing provision, however, more than 300,000 people could be left with no access to adequate housing. ZIP City questions whether we still need houses to live in the city and suggests that technology and our increasing capacity for moving around and adaptation could present new opportunities. A system of buildings and spaces distributed around transport hubs is proposed to facilitate an increasing mobile life and to allow citizens to feel at home outside the confi nes of the dwelling. Zip City promotes a new collective lifestyle where the boundaries between public and private, individual and collective are redefi ned and where individual subjectivities can fl ourish.