What's on today
Gio Ponti. Loving architecture
REOPENING: 22-23-24/29-30-31 May and from 2 June on the usual opening days and hours
40 years on from his death, MAXXI is dedicating a major retrospective to him that studies and presents his versatility, starting out with an account of his architecture.
Elisabetta Catalano. Between photography and performance
A new focus presentation of the MAXXI archives this time featuring a great photographer
REAL_ITALY
REOPENING: from 2 June 2020
In the year of its 10th anniversary, MAXXI chooses to give great space to Italian creativity, by hosting the winners of the competition held by the MiBACT Italian Council.
YAP ROME AT MAXXI 2020
The Young Architects Program, launched and coordinated by MoMA, reaches its 8th edition at MAXXI.
Summer at MAXXI. Books Forte respiro rapido. La mia vita con Dino Risi byMarco Risi
Dino Risi is the director of the so-called “Italian comedy”. Marco Risi is the young man who challenged his father on his own ground. Can one be a son and also perceive the father as a master?
CASA MONDO
Seven leading international designers have been asked to investigate and present their vision regarding seven themes and functions of habitation.
At Home 20.20
projects for contemporary housing
REOPENING: from 18 June 2020
A review that ranges from the low-cost housing projects of the post-war years to new experimental and sustainable ways of inhabiting the planet
Alcantara Project - MAXXI. Studio Visit Konstantin Grcic.
imagination in power
REOPENING: from 18 June 2020
A space inspired by Pier Luigi Nervi that visitors may enter and move around.
THE INDEPENDENT. Max Fletcher
Three canvases combine words, painting and gestures in a critical rethinking of the past as a means of building friendships, solidarity and alliances.
Upcoming
Kobane Calling. Oggi by Zerocalcare
Four years after the first edition, updating the information on the situation of the Syrian Kurds and their disputed land, the Rojava, is more important than ever.
L’abisso with Davide Enia
A show taken from the book by Davide Enia "Appunti per un Naufragio" which uses the languages of theatre to deal with the mosaic of this present time.
Spiagge. Theatrical reading by and with Isabella Ragonese
In Italy, the coast, the sea and its beaches represent a condition and a place that characterise life, society and the way people think and act.
Il Giardino dell’arte by Claudio Strinati
David is a Canadian PhD student in Art History. He leaves for Italy to discover all the treasures that have been the subject of his studies.
Art collections
The collections of the MAXXI art present themselves as a strong nucleus that witnesses the national and international artistic production
Architecture collections
The MAXXI Architettura collections comprise all those artefacts and documents that, in various ways, represent the material and conceptual complexity of architecture.
Architecture Archives Centre
The Centro Archivi curates and manages the MAXXI's architecture collections and provides the possibility, inside the Sala Studio, to directly consult the documents and database of its twentieth and twenty-first century collections.
Biographies
Virtual tour with Google Street View
Membership
Choose the membership programme that meets your needs: a whole year of advantages awaits!
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Enzo Cucchi
Gian Ferrari Hall
«Painting recognises no customs. Children do not know gender. Art hates painters».
One of the most influential figures on the contemporary art scene presents a new project designed specifically for the spaces of the Gian Ferrari Hall at MAXXI. An extraordinary inventor of powerful and enigmatic images, Cucchi incorporates an aesthetic that ranges between time and history, thus synthesising individual myths and collective imagination.
Enzo Cucchi proposes a single work on display: a radical gesture in his rarefaction of a single object, of modest dimensions in relation to the architecture of space designed by Zaha Hadid, exhibited on a base that itself becomes an integral part of the work. A putto, to whose big toe a scorpion appears to cling, hands to eyes in the gesture of the telescope for focusing the vision, reinterprets in an extremely contemporary image the classic iconography of the naked child, with references that recur in the history of art and that go from the Roman statuary to the great Baroque frescoes.
With this work/gesture, the fiercely modern Enzo Cucchi finally returns to talk about Rome, his adopted city, in whose cradle he has always nourished himself and in which he captures the sense of personal and civil resistance to the unstoppable progress of a world based on speed and emergency and of a culture of technology and science that increasingly drains the spaces of desire and freedom of thought every day.
Photo © Mark Peckmezian, 2017
