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Tuesday to Sunday 11 am – 7 pm
the ticket office is open until 1 hour before the Museum closing
CHRISTMAS AT MAXXI
extraordinary openings and hours
Sunday 24 December 11 am – 4 pm
Sunday 31 December 11 am – 4 pm
Monday 1 January 11 am – 8 pm
Saturday 6 January 11 am – 7 pm
the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
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upon presentation of the membership Card or Carta EFFE
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valid on Wednesdays from 2 pm for high school and university students, Italian and from the European Union – upon presentation of the personal card/booklet
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for young people aged between 14 and 25 (not yet turned 25); for groups of 15 people or more; registered journalists with a valid ID card; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Automobile Club d’Italia (ACI), Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Poste Italiane, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
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MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
Italy as a territory is losing its function as an international cultural center,
it is not nationalizing for itself, but its intellectuals continue the cosmopolitan function,
separiting themselves from the territory and swarming abroad.
Antonio Gramsci
Pietro Belluschi • Lina Bo Bardi • Paolo Soleri • Vittorio Garatti • Elisabetta Terragni, The Panorama of the Cold War Team • Marpillero Pollak Architects • Atelier Manferdini • Carlo Ratti Associati • Renzo Piano, Richard Rogers • Studio Fuksas • Durisch + Nolli Architetti • EMBT | Enric Miralles – Benedetta Tagliabue • Simone Solinas, ssa | solinas serra architects • CORREIA / RAGAZZI Arquitectos • Djuric-Tardio Architectes • Barozzi / Veiga • AWP, Alessandra Cianchetta • Romaldo Giurgola • Paritzki Liani Architects
AWP office for territorial reconfiguration, The Lantern. Sandnes, Norvegia, 2006-2008. Image credit: Thomas Liu
Durisch + Nolli, Centro di formazione professionale SSIC. Gordola, Svizzera, 2004-2010. Image credit: David Willen
Renzo Piano – Piano+Rogers, Centre Georges Pompidou. Parigi, Francia, 1971-1977
“What is an architect?
I think we have to answer that before anything else. Each one of us is different.
When we are working as architects, we are each in a different environment,
in a different society, in different places, and so forth; and because of that,
I don’t believe in emphasizing a technical training for an architect.
I believe much more, in a moral training.
Enrico Peressutti, Princeton, 1953
Enrico Peressutti, Princeton University • Ernesto Nathan Rogers, AA, London • Aldo Rossi, IAUS NY • Mario G. Salvadori, Columbia University
Una revolución de formas
es una revolución de esenciales
José Martí
Atelier D • B+C Architectes • Cannatà & Fernandes • CRISTÓBAL + MONACO arquitectos • DOSarchitects • Exposure Architects • External Reference Architects • Fil Rouge Architecture • fondaRIUS architecture • Fusina6 • GA Architecture • Kokaistudios • Leap • LOOP Landscape & Architecture Design • MAB Marotta Basile Arquitectura • mOa Mario Occhiuto Architetture • NABITO • nbAA Nadir Bonaccorso Arquitectos Associados • Paratelier •
B+C Architectes, Multi-purpose Hall. Lisieux, Francia, 2011. Image credit: Michel Denancé
ExposureArchitects, Octospider Workers’ canteen. Patchburi, Thailandia, 2004
– What do you want from us, we who come from the Old World?
– We need to know whether you’re good enough to enter the New World.
– And so you are God Almighty who decides whether we’re good enough
to enter your land of the other world?
Dialogue in Emanuele Crialese’s movie Golden Door (Nuovo Mondo), 2006
The video interview project recounts the stories, choices and motivations for the exiled Italian architects, as well as their desire to return and a country ready to embrace them.
Architecture and Vision • Delugan Meissl Associated Architects • KUEHN MALVEZZI • MORQ* • 3GATTI •
3GATTI, Drive-In. Automobile Museum. Nanchino, Cina, 2009
Architecture and Vision, Warka Water. Etiopia, 2012
MORQ*, Karri Loop House. Margaret River, Australia, 2007-2013
When you visit Erasmus Effect,
when you hear the stories of these young architects and professionals who have emigrated,
you’ll soon realize just how much talent Italy has been able to waste.
What we could have become. And what we are instead.
Sergio Nava
In this area of the exhibition, thanks to the contribution of the Sergio Nava’s programme Giovani Talenti(Radio24), we can hear from a broader range of migrants: along with the architects are researchers, scientists and technicians who emigrate in search of opportunities and better working conditions.
Andrea Barizza, Germania • Alice Cofanelli, UK • Luca Di Cesare, Cina • Lorenzo Di Pietro, Spagna • Giulia Ferrero, Olanda • Marina Freri, Australia • Georgina Lalli, USA • Clara Lopez, UK • Giovanni Masini, Polonia • Umberto Morelli, Brasile • Benedetta Piantella, USA • Alberto Sanseverino, Cina • Lorenzo Thione, USA • Neri Tollardo, Russia • Giuseppe Vestrucci, Australia • Luca Vigliero, Dubai, UAE
The work of the Lot-Ekstudio is composed almost exclusively of fragments of transport containers. The exhibition structure only emphasises the sense of “movement” underlying the show, reminding us that all ideas and talents being spent abroad are an active part of a national scientific and creative community that is just waiting to be able to make its contribution.
6 December 2013 – 6 April 2014exhtended until 25 May 2014
Gallery 1
curated by Pippo Ciorra
edited by Pippo Ciorra, Caterina Padoa Schioppa
Quodlibet, 2013Download:
Giovanna Melandri, President Fondazione MAXXI
Margherita Guccione, Director MAXXI Architettura
Pippo Ciorra, Senior Curator MAXXI Architettura
Models
Schools
Stories
Video
Talk in Radio
Exhibition Design