Monday closed
Tuesday to Sunday 11 am – 7 pm
the ticket office is open until 1 hour before the Museum closing
the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
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for young people aged between 14 and 25 (not yet turned 25); for groups of 15 people or more; registered journalists with a valid ID card; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Automobile Club d’Italia (ACI), Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Poste Italiane, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
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upon presentation of the membership Card or Carta EFFE
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valid on Wednesdays from 2 pm for high school and university students, Italian and from the European Union – upon presentation of the personal card/booklet
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for all members of families consisting of two adults and at least one child (free for children under 14)
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minors under 14 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; accredited journalists; myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document; Tuesday to Thursday for admission to Gallery 1 hosting the FUORI TUTTO exhibition
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for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
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under 14 years of age
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disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
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MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
Monday closed
Tuesday to Sunday 11 am – 7 pm
the ticket office is open until 1 hour before the Museum closing
Architecture Archive Center
curated by Paolo Portoghesi
An insight on 1980 exhibition which started the international debate on post-modern
Among archive documents, pictures, project drawings and direct testimonies,a physical and hystorical path, which allows to end up dentro la Strada Novissima): a collective experience orchestrated byPaolo Portoghesi /em> on the occasion of the First international architectural exhibition of the Venice Biennale, which opened to the public on 27th July 1980 and was entitled La Presenza del Passato (The Presence of the Past).
The Strada Novissima was motivated by the desire to propose a reflection on the urban street through a 70-meter path, ten façades of full scale houses per side, designed by just as many architects including Frank O. Gehry, Rem Koolhaas, Hans Hollein, Franco Purini, Arata Isozaki, Robert Venturi, Ricardo Bofill, GRAU.
On the occasion of the big exhibition La Strada, we propose an insight on this crucial moment of the architectural history of the Nineties, when the street became the concrete image of a different way to conceive architecture, definitively overcoming the dogmas of the Modern Movement.