Artapes. Bouchra Khalili
#Artapes #BouchraKhalili

Monday closed
Tuesday to Sunday 11 am – 7 pm
the ticket office is open until 1 hour before the Museum closing
the only open ticket, valid for one entry to the Museum and all current exhibitions for the next 100 years, until 2121.
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for young people aged between 14 and 25 (not yet turned 25); for groups of 15 people or more; registered journalists with a valid ID card; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; Palazzo delle Esposizioni and Gallerie Nazionali Barberini Corsini ticket holders on the occasion of the exhibition “Pier Paolo Pasolini. Tutto è Santo” from 19 October 2022 to 12 March 2023; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine degli Assistenti Sociali, Ordine dei Medici Chirurghi e degli Odontoiatri, Ordine Psicologi Lazio, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Rinascente, Romaeuropa Festival, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard.
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upon presentation of the membership Card or Carta EFFE.
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valid on Wednesdays from 2 pm for high school and university students, Italian and from the European Union – upon presentation of the personal card/booklet.
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for all members of families consisting of two adults and at least one child (free for children under 14).
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minors under 14 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; accredited journalists; myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document; Tuesday to Thursday for admission to Gallery 1 hosting the exhibition What a Wonderful World.
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available at the Museum ticket office.
available at the Museum ticket office.
for young people aged between 14 and 25 (not yet turned 25); for groups of 15 people or more; registered journalists with a valid ID card; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; Palazzo delle Esposizioni and Gallerie Nazionali Barberini Corsini ticket holders on the occasion of the exhibition “Pier Paolo Pasolini. Tutto è Santo” from 19 October 2022 to 12 March 2023; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine degli Assistenti Sociali, Ordine dei Medici Chirurghi e degli Odontoiatri, Ordine Psicologi Lazio, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Rinascente, Romaeuropa Festival, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard.
buy online
minors under 14 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; accredited journalists; myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document.
book online
valid for access to the individual exhibition.
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for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID.
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under 14 years of age.
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disabled people + possible accompanying person.
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MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
video gallery – free entrance for all from Tuesday to Friday and the first Sunday of each month
curated by Anne Palopoli
Poetic documentary films where personal stories intertwine with collective accounts.
A focus on the work of French-Moroccan artist Bouchra Khalili, on the occasion of the road to justice exhibition, to present, for the first time in Italy, her two artworks entitled The Tempest Society and Twenty-Two Hours: the former was produced on the occasion of Documenta XIV in Athens, whereas the latter was produced after a long stay in the USA.
The artist’s work revolves around resistance strategies against the arbitrary nature of power: her personal artworks see personal stories intertwine with collective accounts, thereby questioning the complex relations between the public, the private, identity and memory and highlighting the visual and narrative models typical of the transmission of stories, thoughts and utopias.
Twenty-Two Hours, 2018. Courtesy of the artist