– for young people aged between 18 and 25 (not yet turned 25);
– for groups of 15 people or more;
– La Galleria Nazionale, Museo Ebraico di Roma ticket holders;
– upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard;
valid for one year from the date of purchase
– minors under 18 years of age;
– myMAXXI cardholders;
– on your birthday presenting an identity document;
– upon presentation of EU Disability Card holders and or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators;
– MiC employees;
– journalists who can prove their business activity;
– European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums);
– 1 teacher for every 10 students;
– AMACI members;
– CIMAM International Committee for Museums and Collections of Modern Art members;
– ICOM members;
– from Tuesday to Friday (excluding holidays) European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students;
– IED Istituto Europeo di Design professors, NABA Nuova Accademia di Belle Arti professors, RUFA Rome University of Fine Arts professors;
– upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie;
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
13 Jun 2025 06.00 pm
talkAnachronic Renaissanceby Alexander Nagel and Christopher S. Wood
14 Jun 2025 11.30 am
talkBas Smets_LandscapeFrom the Notre-Dame gardens to the Grande MAXXI
17 Jun 2025 06.00 pm
stadiums stories: designing the mythStadiums. Back to the futurewith Moira Valeri
17 Jun 2025 09.00 pm
summer at MAXXI • booksIl tempo della stravaganzaby Stefano Bollani
Thursday 10 April, 19.00
Foyer Gallery 1 – admittance with the purchase of a museum entrance ticket to be used by Sunday 20 April 2014
For my generation sound is part of the process of visualising space. It’s an experiment. I’m interested in understanding a composer’s reactions to a space, in hearing the echo.
David Adjaye
For the latest event in the programme Meeting Architecture – Architecture and the creative process, curated by the British School at Rome together with the Académie de France in Rome – Villa Medici, MAXXI is hosting a talk with the English architect David Adjae with his brother the composer Peter Adjaye.
The encounter will provide an opportunity to listen to the debate between the architect and the composer over their collaborations, which they like to define as music for architecture, a “permanent library-workshop”. The event will also feature the screening of an anthology of films and original compositions presented for the first time with a live musical ensemble.
The conversation will be moderated by Pippo Ciorra.
David once drew me an image of the musical journey he wanted and I went away and came back the same day with the finished piece.
Peter Adjaye
Architecture Programme British School at Rome curated by Marina Engel
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