Monday closed
Tuesday to Sunday 11 am – 7 pm
Saturday and Sunday last entry at 5:30 pm
EARLY TICKET OFFICE CLOSURES
the ticket office closes at 5:30 pm
• Thursday, 25 and Friday, 26 April
• Thursday, 2 and Friday, 3 May
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Automobile Club d’Italia (ACI), Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, CRAL UniRoma3 APS, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Poste Italiane, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
upon presentation of the membership Card or Carta EFFE
buy online
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
26 June – 5 October 2014
Gallery 1 and the MAXXI Piazza
curated by Gianni Mercurio and Domitilla Dardi
Throughout his life Gaetano Pesce, architect, designer and artist of international repute, has engaged in theoretical debate regarding diversity, casuality, the breaking down of barriers between disciplines and freedom from conformism and predictability and has designed objects inspired by people that reflect the unpredictability of life, applauding defects and errors.
Diversity, casuality,
the breaking down of barriers between disciplines,
freedom from conformism and predictability,
defect and error
The theme of diversity, underlying the entire exhibition, is expressed within the museum spaces through an evolving presentation: 40 mobile panels with drawings, renderings, sketches, original models and full-size objects emphasising the creative and conceptual aspects of the projects in a layout that encourages visitors to actively choose from among the seven thematic paths that illustrate Gaetano Pesce’s oeuvre from the 1960s through to the present: Non-standard, Person, Place, Defect, Landscape, Body, Politics.
From the labyrinthine forest of moveable panels, visitors pass through to an airier space in which the protagonist is a single work: an installation conceived and created specifically for MAXXI in which the focus is on Time.
Lastly, the piazza dominated by the giant version of Up 5&6, the iconic armchair in the form of a woman, created by Gaetano Pesce in 1969 in protest at the status of women.
The huge chair, also known as Donna e anche Mamma, brings together many of the recurrent themes in the artist’s work such as the link between the body and performance, along with a warning with regard to the female condition around the world.
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