Monday closed
Tuesday to Sunday 11 am – 7 pm
EARLY TICKET OFFICE CLOSURES
Saturday and Sunday last entry at 5:30 pm
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Automobile Club d’Italia (ACI), Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, CRAL UniRoma3 APS, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Poste Italiane, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
18 May 2024 ore 16:00
MAXXIperTUTTIToccare lo spaziotactile lab
19 May 2024 ore 11:00
MAXXIperTUTTISign, body, spaceItalian Sign Language guided tours
19 May 2024 ore 17:00
MAXXI Med performanceMurmur Theoryby Marco Gobbi and Francesco Fonassi
21 May 2024 ore 17:30
conferencePrimo TesoroThe Premio Strega books 1947-2021
22 May 2024 ore 19:00
Le ConversazioniZadie Smith
28 May 2024 ore 19:30
performanceMuta ImagoAshes
MAXXI Auditorium – admittance €5.00; admittance to 5 seminars €20.00; free for myMAXXI card holders. The purchase of a ticket allows for reduced price museum entrance (€8.00) within one week of issue.
Five seminars with international philosophers, composers, artists, choreographers and writers to explore and comprehend the expressive idioms of contemporary creativity.
At the heart of a certain way of working on the image there is an imaghe and not the reality we have before our eyes. The fourth seminar focuses on the theme of filmic composition starting out from the technical term found footage used by Yervant Gianikian and Angela Ricci to allude to the process of “finding” something in an image that already exists, a process that implies, on the one hand, a certain exposure to the contingency of hazard (it is found in that clip, under those circumstances), and on the other, in contrast, a clear desire to resignify through the use of colour and sound or through the manipulation of time. It is actually this dialectic of time – of times – that comes to the fore: between the meaning that a certain image had, at the time it was made, and that it takes on today, in being reproposed. A dialectic that involves questions, perhaps ethical and political more than aesthetic.
Yervant Gianikian and Angela Ricci Lucchi, of Armenian and Romagnola Italian origins respectively, have lived and worked together since the 1970s. They debuted with performances written for “perfumed films”.
The Histories of Art. On the principles of composition
13 February – 21 May 2016
Now returning in its fourth edition, The Histories of Art is a series of seminars dedicated to the history of contemporary art from 1960 to the present day, organized according to chronological and thematic issues dealing with the last 40 years of artistic research and production. The seminars are led by critics, gallerists, curators, artists and university lecturers.
Introductions by Andrea Cortellessa.