17 May 2019 - 19 May 2019

Imagining the city

Opening hours & tickets

opening hours

TUESDAY 11.00-19.00
WEDNESDAY 11.00-19.00
THURSDAY 11.00-19.00
FRIDAY 11.00-19.00
SATURDAY 11.00-22.00
SUNDAY 11.00-19.00
The ticket office is open until 1 hour before museum closing

Closed
Mondays
May 1
December 25

EASTER HOLIDAYS

OPEN SUNDAY 21 AND MONDAY 22 APRIL, FROM 11:00 AM TO 7:00 PM

LIBRARY’S CLOSING

On Tuesday, 16 April the library closes at 5:00 pm | On Thursday, 18 Aprile the library is closed | From Thursday, 25 April till Wednesday, 1 May the library is closed due to maintenance.

PLEASE NOTE

The cafeteria & bookshop and the restaurant services are closed temporarily. We are doing our best to restore these services as soon as possibile. In the meantime please accept our apologies for any inconvenience caused.

Opening hours & tickets
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Video gallery
curated by Hou Hanru, Donatella Saroli

Three short festivals focused on the themes of urban transformation, the creation of imaginary worlds, of the public space as the place of the everyday life and of the protest.

On the occasion of the exhibition The Street. Where the world is made, the Museum’s video gallery, thanks to the support of In Between Art Film, hosts a screening program focused on the themes of urban transformation, the creation of imaginary worlds, of the public space as the place of the everyday life and of the protest. Three short festivals, each one introduced by a debate between international artists, scholars and curators that will describe the genesis and evolution of the videos on display.

Friday, 17 May 6:00 pm
Introduction to the screening
Hou Hanru, MAXXI Artistic Director

Up next screening of
Sam Samore, Hallucinations/Paradise, 2010 (Eng)
Cao Fei, La Town, 2014 (silent)

On Saturday 18 and Sunday 19 will be displayed in the Museum’s opening hours the following videos:
Sam Samore, Hallucinations/Paradise, 2010 (Eng)
Cao Fei, La Town, 2014, (silent)
Huang Weikai, Disorder: Now is the future of the past, 2009 (Eng)
Cao Fei, Ou  Ning, San Yuanli, 2003