for young people aged between 14 and 25 (not yet turned 25); for groups of 15 people or more; registered journalists with a valid ID card; Museo Ebraico di ROma ticket holders; La Galleria Nazionale d’Arte Moderna e Contemporanea ticket holders; with presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, NABA – Nuova Accademia di Belle Arti, Officine Fotografiche, Ordine degli Assistenti Sociali, Ordine dei Medici Chirurghi e degli Odontoiatri, Ordine Psicologi Lazio, Palazzo delle Esposizioni, Rinascente, Romaeuropa Festival, RUFA – Rome University of Fine Arts, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard. buy online
minors under 14 years of age; disabled people requiring companion; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; accredited journalists; myMAXXI membership cardholders; students and university researchers in Art and Architecture from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; on your birthday presenting an identity document; for the entrance to gallery 1, from Tuesday to Thursday; for the entrance to gallery 1 every Friday until 28 May 2021, thanks to Acea. book online
For the first time, MAXXI dedicates a focus to a critic’s archive, one of the most original and influential figures of the second half of the 20th century in Italy, and a direct witness to the radical transformations taking place in art during that period.
The project presents a significant selection from Boatto’s personal archive, generously donated to the MAXXI by his family in 2019, including letters, manuscripts and many of his publications. It comprises ever aspect of his intellectual efforts, his exchanges with friends, artists, critics and writers, his notebooks, first drafts of his books and a few very interesting unpublished texts: in short, the sum total of a lifetime of thinking and writing offered to the public and to scholars.
Boatto “looked in from the outside,” with the gaze of a castaway or a space explorer, someone who observes the world from an external, solitary, remote point, and perceives in it a new and surprising physiognomy.