– for young people aged between 18 and 25 (not yet turned 25);
– for groups of 15 people or more;
– La Galleria Nazionale, Museo Ebraico di Roma ticket holders;
– upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard;
valid from August 1st to August 31st, upon presentation of an identity document verifying residency in the Lazio Region
valid for one year from the date of purchase
– minors under 18 years of age;
– myMAXXI cardholders;
– on your birthday presenting an identity document;
– upon presentation of EU Disability Card holders and or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators;
– MiC employees;
– journalists who can prove their business activity;
– European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums);
– 1 teacher for every 10 students;
– AMACI members;
– CIMAM International Committee for Museums and Collections of Modern Art members;
– ICOM members;
– from Tuesday to Friday (excluding holidays) European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students;
– IED Istituto Europeo di Design professors, NABA Nuova Accademia di Belle Arti professors, RUFA Rome University of Fine Arts professors;
– upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie;
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
18 Sep 2025 06.00 pm
books at MAXXIPiù turismo per tutti?by Edoardo Colombo and Paolo Verri
24 Sep 2025 05.00 pm
MAXXIperTUTTIIl Museo si raccontaguided tours in LIS
25 Sep 2025 07.00 pm
Le ConversazioniRoberto Andòwith Antonio Monda
26 Sep 2025 07.00 pm
musicThe Scoop Jazz Band Noi e lo stadio
1 Oct 2025 06.00 pm
books at MAXXISenza riparo. Sei tentativi di leggere il presenteby Guido Mazzoni
Free admittance; please make reservations by writing to base@fondazionemaxxi.it
Four itinerant encounters in the MAXXI spaces
helping us understand and experience the relationship linking
dance, art and performance
curated by Anna Lea Antolini
Dance and performance, an inescapable pairing: an informal itinerary through the MAXXI spaces helping us understand and experience the multidisciplinary relationship linking dance, art and performance from the birth of the latter to the present.
By the 1970s, performance was a recognised form of artistic expression but it had actually first appeared within the artistic sphere much earlier. Its long history intertwined with that of the artistic avant-gardes of the early 20th Century as it established itself as a pre-avant-garde: from Futurism to Conceptualism, artists turned to performance to break down the categories and indicate new horizons. Performance as the staging of ideas, as a means for providing answers, as a cultural stimulant in a vast spatial range.
What performance are you?
With Francesca Pennini
An excursus on permeability and the potential for performance to react to context, modifying it and modifying itself.
From the perspective of the CollettivO CineticO – direct by Francesca Pennini – regarding experimentation with the relationship between spectator and author, between interpretation and choice, between gaze and body, the project arrives at proposals for choreographic practices diluted in everyday life and the web, through to the possibility of physically experimenting with a series of “tools” designed for the composition of movement with the bodies of non-dancers, a typical feature of contemporary dance explored by multiple artists.
In collaboration with Cro.me. – Cronaca e Memoria dello Spettacolo di Milano and Fondazione Romaeuropa.