for young people aged between 14 and 25 (not yet turned 25); for groups of 15 people or more; registered journalists with a valid ID card; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine degli Assistenti Sociali, Ordine dei Medici Chirurghi e degli Odontoiatri, Ordine Psicologi Lazio, Palazzo delle Esposizioni, Rinascente, Romaeuropa Festival, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard. buy online
valid on Wednesdays from 2 pm for high school and university students, Italian and from the European Union – upon presentation of the personal card/booklet. buy online
minors under 14 years of age; disabled people requiring companion; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; accredited journalists; myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document; for the entrance to gallery 1, from Tuesday to Thursday. book online
for all members of families consisting of two adults and at least one child (free for children under 14); upon presentation of the Feltrinelli card or the “mini” ticket; all MAXXI reductions. buy online
minors under 14 years of age; disabled people requiring companion; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); ICOM members; AMACI members. book online
for young people aged between 14 and 25 (not yet turned 25); for groups of 15 people or more; for all members of families consisting of two adults and at least one child (free for children under 14); upon presentation of the card: Rinascente; registered journalists with a valid ID card.
minors under 14 years of age; disabled people requiring companion; upon presentation of myMAXXI card or Legendary Ticket; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; accredited journalists. book online
upon presentation of myMAXXI card or Legendary Ticket; young people aged between 14 and 25 years – not completed; groups of 12 people; all members of families consisting of two adults and at least one child (free for under 14s); registered journalists with a valid ID card. buy online
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
Performing The Archives. Sound.From the origins of sound experimentation to ensembles
Archive Wall – entrance fee 5 euros ticket to 3 events 10 euros – free for myMAXXI cardholders
Three events to trace back the history of sound experimentation in Italy from 1950 to 2000
In conjunction with When Sound Becomes Form, we will retrace the fundamental stages of Italian sound experimentation over the course of three events. This is a 50 years-long story, where sound comes off the stave and looks at new electronic technologies giving shape to innovative artistic languages and enabling a manipulation of sound and an amplification of space itself, with a cross-fertilisation of cinema, art, choreography, literature, publishing and mass media.
Beginning with composion experiments in the 1960s, the first event will kick off with sound entering the realm of gesture expressions with Giuseppe Chiari and Fluxus, where every note becomes a specific, self-sufficient element. New ways of expressions are born such as happenings and musical graphic notation or music notation. Gruppo 63 makes its debut pushing sound experimentation to the limits and pervading every field: Lamberto Pignotti, brings to the fore visual and sound poetry, in between happening and performance. In the 1970s, new ways of investigating sound enter the cultural scene with the birth of the first dedicated events and Albert Mayr, in 1975, produces Performances from Time Aspects – an aesthetic approach to daily time management (sound time).
Introduced by Carlo Fatigoni curator of the When Sound Becomes Form
Archive Wall – entrance fee 5 euros
ticket to 3 events 10 euros – free for myMAXXI cardholders
Three events to trace back the history of sound experimentation in Italy from 1950 to 2000
In conjunction with When Sound Becomes Form, we will retrace the fundamental stages of Italian sound experimentation over the course of three events.
This is a 50 years-long story, where sound comes off the stave and looks at new electronic technologies giving shape to innovative artistic languages and enabling a manipulation of sound and an amplification of space itself, with a cross-fertilisation of cinema, art, choreography, literature, publishing and mass media.
Beginning with composion experiments in the 1960s, the first event will kick off with sound entering the realm of gesture expressions with Giuseppe Chiari and Fluxus, where every note becomes a specific, self-sufficient element. New ways of expressions are born such as happenings and musical graphic notation or music notation. Gruppo 63 makes its debut pushing sound experimentation to the limits and pervading every field: Lamberto Pignotti,
brings to the fore visual and sound poetry, in between happening and performance. In the 1970s, new ways of investigating sound enter the cultural scene with the birth of the first dedicated events and Albert Mayr, in 1975, produces Performances from Time Aspects – an aesthetic approach to daily time management (sound time).
Introduced by
Carlo Fatigoni curator of the When Sound Becomes Form
Speakers
Albert Mayr e Lamberto Pignotti
Moderated by
Irene De Vico Fallani MAXXI Research