Monday closed
Tuesday to Sunday 11 am – 7 pm
EARLY TICKET OFFICE CLOSURES
Saturday and Sunday last entry at 5:30 pm
for young people aged between 18 and 25 (not yet turned 25);
for groups of 15 people or more; registered journalists with a valid ID card; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
26 May 2024 ore 14:00
MAXXI with the FamilyEnvironments to explore!
28 May 2024 ore 19:30
performanceMuta ImagoAshes
29 May 2024 ore 18:00
talk + show cookingThe social mission of design: food, energy and health
29 May 2024 ore 18:30
books at MAXXIDialoghi sulla fedeby Martin Scorsese and Antonio Spadaro
30 May 2024 ore 17:30
books at MAXXINelle vene di Bruxellesby Paolo Valentino
31 May 2024 ore 18:30
auteur conversationsChristina Kubisch
Guido Reni Hall – admittance € 5,00 – 3 meetings € 10,00 – free for myMAXXI cardholders.
Purchase of a ticket provides for reduced price museum entrance within one week of issue.
A project conceived and curated by Anna Lea Antolini, with the academics Ada D’Adamo, Rossella Battisti, Gaia Clotilde Chernetich and the dancers from the Balletto di Roma Fabio Novembrini, Roberta Racis and Francesco Saverio Cavaliere.
Performance and dance, a project based on the active participation of academics, dancers and the audience
Through a practical-theoretical lesson open to all and based on simple actions that from everyday life achieve the status of dance, the meeting stimulates non-conventional audience participation.
Introducing the audience to the performative idiom through its history and the experience of ordinary action, we re-evaluate the everyday and its gestures within an artistic context and rediscover that performance art belongs to the history of humanity.
Each lesson is animated by an expert in dance, a dancer and by the audience itself and is composed of a practical-theoretical part and one of “physical transmission”, rethinking actions we know well but never stop to think about and discovering in an informal way the key passages in the history of dance and performance.
Walk/run
with Rossella Battisti and Roberta Racis
Walk, run: moving, on the stage as in everyday life. In the second encounter, abandoning the comfort zone of the equilibrium achieved when stationary we chose to break away from Laban’s icosahedron in infinite directions. Perceiving our unstable position in space and amongst others and having acquired the necessary awareness, we discover how to become performative even when crossing the road.
Coproduced with Cro.me – Cronaca Memoria dello Spettacolo for R.I.SI.CO. Interactive network for Choreographical Systems in collaboration with MAXXI, with the direct participation of the Balletto di Roma and the contribution of Mibact – Live Performance Department