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minors under 14 years of age; disabled people requiring companion; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); ICOM members; AMACI members. book online
for young people aged between 14 and 25 (not yet turned 25); for groups of 15 people or more; for all members of families consisting of two adults and at least one child (free for children under 14); upon presentation of the card: Rinascente; registered journalists with a valid ID card.
minors under 14 years of age; disabled people requiring companion; upon presentation of myMAXXI card or Legendary Ticket; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; accredited journalists. book online
upon presentation of myMAXXI card or Legendary Ticket; young people aged between 14 and 25 years – not completed; groups of 12 people; all members of families consisting of two adults and at least one child (free for under 14s); registered journalists with a valid ID card. buy online
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
The anthropological change of the architectural profession from the twentieth-century stereotype of the charismatic grandmaster to the growing presence of women, collectives and studio couples.
The exhibition Good News aspires to document how new figures are infusing new forces into contemporary architecture. In particular, concerning the Museum’s Collection and the aim of expanding it, the exhibition pays particular attention to studios’ work directed or co-chaired by female designers and those professional bodies that are more aware of the changes taking place integrating them into their design process.
On display, among other things, are some of the names and stories that have had, or still have, a crucial impact: from Charlotte Perriand to the 1970s collectives, from Elizabeth Diller to “realised” young promises such as Frida Escobedo and much more. The exhibition also includes a series of video interviews with authors/authors that reconstruct the stories and theories that accompany this narrative.
The anthropological change of the architectural profession from the twentieth-century stereotype of the charismatic grandmaster to the growing presence of women, collectives and studio couples.
The exhibition Good News aspires to document how new figures are infusing new forces into contemporary architecture. In particular, concerning the Museum’s Collection and the aim of expanding it, the exhibition pays particular attention to studios’ work directed or co-chaired by female designers and those professional bodies that are more aware of the changes taking place integrating them into their design process.
On display, among other things, are some of the names and stories that have had, or still have, a crucial impact: from Charlotte Perriand to the 1970s collectives, from Elizabeth Diller to “realised” young promises such as Frida Escobedo and much more. The exhibition also includes a series of video interviews with authors/authors that reconstruct the stories and theories that accompany this narrative.
header: Maria Giuseppina Grasso Cannizzo, PMR2.2008 – Marina control tower, Marina di Ragusa (RG) 2008 © Hélène Binet.
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contenuti correlati
listen to the mood guide
To accompany this journey through the female evolution of the architectural profession, from the pioneers of the early 20th century to the archistars of today, from multidisciplinary groups to large international studios led by women designers, we decided to take a similar trip through the history of electronic music composed by women. From Dalia Derbyshire to Laurie Anderson and Suzanne Ciani, to contemporary women such as Caterina Barbieri, Kelly Lee Owens and Holly Herndon.
curated by Emiliano Colasanti