architectures from the MAXXI ArchivesIl Foro Italico di Enrico Del Debbio
centro archivi architettura
curated by Ariane Varela Braga and Carla Zhara Buda

until 29 May, valid for all exhibitions currently on view, due to the rearrangement of selected galleries and the implementation of energy efficiency improvements to the buildings
valid for one year from the date of purchase
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– on your birthday presenting an identity document;
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– 1 teacher for every 10 students;
– AMACI members;
– CIMAM International Committee for Museums and Collections of Modern Art members;
– ICOM members;
– from Tuesday to Friday (excluding holidays) European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students;
– IED Istituto Europeo di Design professors, NABA Nuova Accademia di Belle Arti professors, RUFA Rome University of Fine Arts professors;
– upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie;
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
centro archivi architettura
curated by Ariane Varela Braga and Carla Zhara Buda
Through archival materials, the exhibition narrates key chapters of Del Debbio’s four-decade-long involvement in this extensive and intricate project (1926–1968).
Imprinting his visionary mark on the site, Del Debbio conceived an architectural and landscape masterpiece in which buildings would interact harmoniously with the surrounding nature, and marble -used both structurally and decoratively – would play a central role in shaping his personal poetics, balancing classicism and modernity.
The Enrico Del Debbio Archive, one of the first to be included in the MAXXI Architecture collection, documents the architect’s career from 1909 to the 1970s, focusing particularly on his most significant work: the Foro Italico complex.
The archival materials interact with contemporary photographs by Begoña Zubero, specially created for the exhibition.
header: Stadio dei Marmi and Accademia di Educazione fisica.