Monday closed
Tuesday to Sunday 11 am – 7 pm
Saturday and Sunday last entry at 5:30 pm
EARLY TICKET OFFICE CLOSURES
Thursday, 2 and Friday, 3 May
the ticket office closes at 5:30 pm
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Automobile Club d’Italia (ACI), Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, CRAL UniRoma3 APS, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Poste Italiane, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
upon presentation of the membership Card or Carta EFFE
buy online
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
5 May 2024 ore 16:00
MAXXIperTUTTIIl corpo e l’architetturatactile lab
8 May 2024 ore 18:00
MAXXI Med talkLa terra in mezzo al mare, il mare nella terra
11 May 2024 ore 16:00
MAXXIperTUTTIMind the bend!Italian Sign Language workshop for families
Archives Centre Study Room – admittance free while places available
This conference will examine Lina Bo Bardi’s Italian period and in particular the years of her professional debut in which design and publishing activities entwined, while the war inevitably had an enormous impact on the architectural sector.
The beginning of the war […] posed other problems: you couldn’t build, the field of “Practice” was abandoned in favour of that of “Theory”
Lina Bo Bardi
During the period of the war in Italy, Lina Bo Bardi contributed to periodicals, both architectural and otherwise.
She was a journalist, deputy editor and inventor of new publishing products, acquiring an enormous baggage of principles and solutions, refining her knowledge of the needs and necessities of man and developing a profound awareness of the meanings and purposes of architecture.
The periodical on which she worked in these years, such as Gio Ponti’s Stile, together with the vast repertory of “imaginary projects” by Lina and Carlo, conserve and reveal a number of the works realised by the Bo e Pagani studio, testifying to an industriousness in the architectural profession understood in the most “typical and usual” sense, in which ideas take on a built form.
Introduced by
Margherita Guccione Director MAXXI Architettura
Concluded by
Massimo Martignoni design and architectural historian