Monday closed
Tuesday to Sunday 11 am – 7 pm
Tuesday, 1 July 7 pm > 9 pm
Wednesday, 9 July 7 pm > 9 pm
Wednesday, 16 July 7 pm > 9 pm
book online
last entrance 8 pm
– for young people aged between 18 and 25 (not yet turned 25);
– for groups of 15 people or more;
– La Galleria Nazionale, Museo Ebraico di Roma ticket holders;
– upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard;
valid for one year from the date of purchase
– minors under 18 years of age;
– myMAXXI cardholders;
– on your birthday presenting an identity document;
– upon presentation of EU Disability Card holders and or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators;
– MiC employees;
– journalists who can prove their business activity;
– European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums);
– 1 teacher for every 10 students;
– AMACI members;
– CIMAM International Committee for Museums and Collections of Modern Art members;
– ICOM members;
– from Tuesday to Friday (excluding holidays) European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students;
– IED Istituto Europeo di Design professors, NABA Nuova Accademia di Belle Arti professors, RUFA Rome University of Fine Arts professors;
– upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie;
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
6 Jul 2025 09.00 pm
summer at MAXXI • cinemaU.S. Palmeseby Manetti Bros.
8 Jul 2025 09.00 pm
summer at MAXXI • booksLa musica per meby Corrado Augias
9 Jul 2025 05.00 pm
MAXXIperTUTTIIl Museo si raccontaguided tours in LIS
9 Jul 2025 09.00 pm
summer at MAXXI • musicPetra MagoniEn-chanter
10 Jul 2025 09.00 pm
summer at MAXXI • cinemaCrazy for Footballby Volfango De Biasi
15 Jul 2025 > 14 Sep 2025
videogalleryFUORI GIOCOSguardi d'artista sul mondo del calcio
Video Gallery – admittance € 5
Ticket purchases comprise reduced price (€8) museum entrance within a week of issue.
admittance €4 for myMAXXI cardholders – special myMAXXI carnet for four seminars €12
A series of lectures dedicated to Italian artist film and video from the ’60s through to the present day on the occasion of the artapes season
Four seminars with four different academics exploring a number of themes and aspects of the relationship between artists and moving images, from the historical-artistic context to the political and performative point of view, from contaminations between the cinematic and the electronic media and through to the found-footage procedure.
Form the moment in which in the mid-Sixties an economic portable model appeared on the market, the video camera became the new and accessible instrument with which artists could create a work in “real time”. Electronic technology finally offered the freedom and mobility necessary for full control over the creative process, both in terms of the independence from the technical constraints of recording on film stock and for the possibility of having thanks to live transmission, immediate feedback on what is captured by the camera.
In the second lecture Cristiana Perrella, curator and critic, analyses the relationship between video and artistic practices associated with the body, contextualizing the Italian experiences within the broader international scene.
Cristiana Perrella. Curator and critic, between 1998 and 2008 she directed the Contemporary Arts Programme of The British School at Rome. From 2010 she has curated the artistic side of the activities of the Fondazione Golinelli in Bologna. As an independent curator she has worked with Italian and international institutions including MAXXI. She lectures at the IED in Rome.