event
Thursday 24 January 2019 6.30 PM - 8.00 PM
– for young people aged between 18 and 25 (not yet turned 25);
– for groups of 15 people or more;
– La Galleria Nazionale, Museo Ebraico di Roma ticket holders;
– upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard;
valid for one year from the date of purchase
– minors under 18 years of age;
– myMAXXI cardholders;
– on your birthday presenting an identity document;
– upon presentation of EU Disability Card holders and or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators;
– MiC employees;
– journalists who can prove their business activity;
– European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums);
– 1 teacher for every 10 students;
– AMACI members;
– CIMAM International Committee for Museums and Collections of Modern Art members;
– ICOM members;
– from Tuesday to Friday (excluding holidays) European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students;
– IED Istituto Europeo di Design professors, NABA Nuova Accademia di Belle Arti professors, RUFA Rome University of Fine Arts professors;
– upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie;
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
7 Jun 2025 > 8 Jun 2025 03.00 pm
MAXXIperTUTTI“amor ch’a null’amato”theatre in the dark
7 Jun 2025 04.30 pm
MAXXIperTUTTIIo sono colorelab in LIS
13 Jun 2025 06.00 pm
talkAnachronic Renaissanceby Alexander Nagel and Christopher S. Wood
17 Jun 2025 06.00 pm
stadiums stories: designing the mythStadiums. Back to the futurewith Moira Valeri
Graziella Lonardi Buontempo Hall – free entry until full capacity
The first 10 holders of the myMAXXI card to write to mymaxxi@fondazionemaxxi.it will have the possibility to reserve a seat
An occasion to delve into the deep bonds between Carlo Scarpa and Sicily and the numerous inspirations he drawn from such a place, so rich in history and beauty.
“Any time Scarpa arrived [in Palermo] – when we succeded in getting him there – he seemed to be enraptured by the lively humanity present in the street and he somehow took this liveliness into the [Abatellis] Palace. He joked around with the artisans and workers, happily talking with them until he started working, with his calm attitude which derived from a long-standing maturation”.. Giorgio Vigni.
The work carried out by Scarpa in Sicily, which up until today has been only episodically studied, in the book by Matteo Iannello is accurately and carefully retraced along with the analysis of an unknown project and two further projects almost unknown. Scarpa visited Sicily in two different moments – between 1952 and 1956 and twenty years later, between 1972 and 1978 – and he left a trace of his passage in four different cities: Messina, Taormina, Palermo, and Catania. A sometimes difficult, but always fruitful experience for the architect, who has the chance to import themes and models from Sicily to Veneto and vice versa, both in the museographic and the architectural field.
Introduced by
Margherita Guccione MAXXI Architecture Director
Speakers
Matteo Iannello Archivio del Moderno, Università della Svizzera italiana
Orietta Lanzarini Università degli Studi, Udine