Monday closed
Tuesday to Sunday 11 am – 7 pm
EARLY TICKET OFFICE CLOSURES
Saturday and Sunday last entry at 5:30 pm
for young people aged between 18 and 25 (not yet turned 25);
for groups of 15 people or more; registered journalists with a valid ID card; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
17 Sep 2024 ore 16:00
MAXXIperTUTTIAmbienti 1956-2010Tactile visit for the visually impaired
20 Sep 2024 ore 18:00
talkSpàzio-AmbiènteExperience and the vocabulary of space, 1966-1976
21 Sep 2024 ore 15:00
MAXXIperTUTTITana per tuttiItalian Sign Language (LIS) workshop
22 Sep 2024 ore 16:30
MAXXI with the FamilyEnvironments to explore!
24 Sep 2024 ore 18:00
editorial presentationAlberto Garutticurated by Studio Celant
24 Sep 2024 ore 18:00
books at MAXXILa maestra del vetroby Tracy Chevalier
25 Sep 2024 ore 18:00
talkOscar Murillo: Frequencies
Guidi Reni Room – entrance € 5; Buying the ticket entitles you to a reduced-price ticket for the museum (€ 8) within one week of issue.
€ 4 for holders of the myMAXXI card
Four lessons on the great artists who have redesigned and revolutionised art in the last sixty years.
What do The Photoplay, namely the first essay on cinema, written by psychologist Hugo Münsterberg in 1916, and Anemic Cinéma, the abstract cinema masterpiece by Marcel Duchamp, made ten years later, have in common? The work of Duchamp has been interpreted in many ways, but his media interventions, his forays into cinema, his exhibition devices, and even his TV appearances have been incredibly underestimated. A careful re-reading of the “hidden”, physiological, psychological, media sources of Duchamp’s art provides an alternative genealogy not only of ready-made, but also of his entire body of work, and enables a new understanding of contemporary art from a “movement-image” standpoint.
Marco Senaldi, Media aesthetics professor in many universities, including Milano Bicocca, IULM Milano and LUISS Roma, currently teaches at the Academy of Fine Arts of Brera. He has published several essays, organised conferences and events with philosophers and artists as well as several modern art exhibits.
The Histories of Art.
11 March – 22 April 2017
The Histories of Art has reached its fifth edition. Such series of lectures, given by professors, historians, writers and critics, focuses on the most important phases of contemporary creatvity, from Marcel Duchamp up to the present day.
The Histories of Art project is carried out with the support of MINI, Partner of MAXXI Public Programs