valid for everyone from 20 October to 12 November
– for young people aged between 18 and 25 (not yet turned 25);
– for groups of 15 people or more;
– La Galleria Nazionale, Museo Ebraico di Roma ticket holders;
– upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard;
– upon presentation of a Metrebus Card or a validated BIT, valid until 18 October 2026, on the occasion of the exhibition ‘Andrea Pazienza. Non sempre si muore’.
– minors under 18 years of age;
– myMAXXI cardholders;
– on your birthday presenting an identity document;
– upon presentation of EU Disability Card holders and or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators;
– MiC employees;
– journalists who can prove their business activity;
– European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums);
– 1 teacher for every 10 students;
– AMACI members;
– CIMAM International Committee for Museums and Collections of Modern Art members;
– ICOM members;
– from Tuesday to Friday (excluding holidays) European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students;
– IED Istituto Europeo di Design professors, NABA Nuova Accademia di Belle Arti professors, RUFA Rome University of Fine Arts professors;
– upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie.
valid for one year from the date of purchase
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.

4 Nov 2026 06.00 pm
books at MAXXIPiccola mia. Lettera a una bambina appena nataby Walter Veltroni
6 Nov 2026 06.30 pm
conferenceLe ragioni dell’architetturaRicordando Susanna Nobili
7 Nov 2026 11.30 am
MAXXI GREEN Lab • workshop for familiesMANI NELLA TERRASemi, foglie e meraviglia
7 Nov 2026 04.00 pm
MAXXI with the familyDi Spazio in SpazioDivento Spazio
7 Nov 2026 05.30 pm
MAXXI with the familyDi Spazio in SpazioDivento Spazio
15 Nov 2026 11.30 am
guided toursGordon Matta-ClarkNot the Work...The Worker

A museologist, independent researcher and practitioner with a longstanding interest in the social agency of museums and their role in the development of diverse and inclusive heritage communities. On these issues, she advises both public and private institutions, including the Uffizi Galleries and Pinacoteca di Brera. She is co-founder of the “Patrimonio di Storie” working group, coordinator of the “Patrimonio e Intercultura” programme and website (ISMU Foundation – Initiatives and Studies on Human Mobility), and (co)editor of several publications, including “Il museo necessario” (2023).

A researcher and consultant, she has worked on museum accessibility and participation for over fifteen years, collaborating with museums, archives, and cultural organizations across Italy and abroad on policy, strategy, and organizational change. She is the author of “Museum Accessibility by Design” (Rowman & Littlefield for American Alliance of Museums, 2022) and “Musei e accessibilità” (Editrice Bibliografica, 2024).

A Heritage Interpretation trainer, advisor, and consultant with over 30 years of experience. She specialises in interpretive master planning, program development, and designing interpretive media for heritage sites. Founder of ViVaio, a consulting firm based in Como, Italy, she leads multidisciplinary teams serving UNESCO sites, museums, parks, historic villas, and ecomuseums. Country Coordinator for Interpret Europe, she is also the author of ‘A Manual for Heritage Interpreters: From Theory to Practice’ (Editrice Bibliografica, 2025). Vanessa is passionate about training and mentoring the next generation of interpretive professionals.
Training as an opportunity for the exchange of know-how and best practices between Italy and the Adriatic-Balkan region.
The course brings together museum directors and officials from the Adriatic-Balkan region to reflect on museum accessibility as a catalyst for organisational transformation.
The project promotes an approach to accessibility understood not merely as a series of isolated measures, but as a shared culture and collective practice that permeates the museum’s mission, governance, organisation, services and relations with the public.
The Directorate-General for Growth and Promotion of the National Economy of the Ministry of Foreign Affairs and International Cooperation organises the course, and MAXXI curates it.
Three online sessions, each lasting up to 60 minutes (45 minutes’ presentation + 15 minutes’ Q&A), offering different perspectives on museum accessibility. Each session, not presented in sequential order, covers theoretical topics. The webinars are held in English without interpretation. Participation is free of charge. Please complete the form for the webinar you wish to attend to receive the link by email.
Wednesday 7 October, 3.00 pm – 4.00 pm
Interpretation, Storytelling, and Plurality of Publics
with Vanessa Vaio Heritage Interpretation facilitator
The session introduces heritage interpretation as a tool for museum design and planning, exploring how interpretative choices shape how heritage is presented, understood, and experienced. Participants will explore principles for facilitating heritage interpretation: selecting perspectives, constructing narratives, and creating meaning for different audiences.
Wednesday 4 November, 3.00 pm – 4.00 pm
Accessibility as an Organizational and Cultural Practice
with Maria Chiara Ciaccheri Museum professional and accessibility expert
Rather than approaching accessibility solely through disability or regulatory obligations, the meeting explores a people-centred approach that considers the needs of everyone connected to the organisation, including staff and visitors. Particular attention will be paid to how accessibility can be integrated into day-to-day organisational decisions, so it becomes a shared responsibility rather than the task of a single professional or department.
Wednesday 2 December, 3.00 pm – 4.00 pm
Museums and Agency: The Necessary Transformation
with Simona Bodo museologist, independent researcher and practitioner
Accessibility should not be seen as a compensatory or corrective measure, but as integral to the very purpose of museums. The challenge simply lies in making access more equitable in terms of recognition (of diversity) and redistribution (of power, opportunities and resources). Agency is explored here through four interconnected and complementary dimensions: agency and the redistribution of power; agency and overcoming paternalism; agency and active citizenship; and institutional agency.
bio
Simona Bodo
Maria Chiara Ciaccheri
Vanessa Vaio