Monday closed
Tuesday to Sunday 11 am – 7 pm
EARLY TICKET OFFICE CLOSURES
Saturday and Sunday last entry at 5:30 pm
for young people aged between 18 and 25 (not yet turned 25);
for groups of 15 people or more; registered journalists with a valid ID card; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
26 May 2024 ore 14:00
MAXXI with the FamilyEnvironments to explore!
28 May 2024 ore 19:30
performanceMuta ImagoAshes
29 May 2024 ore 18:00
talk + show cookingThe social mission of design: food, energy and health
29 May 2024 ore 18:30
books at MAXXIDialoghi sulla fedeby Martin Scorsese and Antonio Spadaro
30 May 2024 ore 17:30
books at MAXXINelle vene di Bruxellesby Paolo Valentino
31 May 2024 ore 18:30
auteur conversationsChristina Kubisch
Guido Reni Hall – single ticket €5.00 – carnet five seminars €20.00 – free for myMAXXI cardholders and students of art and architecture eligible for educational credits.
Purchase of a ticket entitles the holder to reduced price museum entrance within a week of issue
A series of seminars devoted to the history of Italian photography from the Seventies to the present
On the occasion of the exhibition Extraordinary visions L’Italia ci guarda international lecturers, critics and researchers will be meeting the public to explore the fundamental episodes in the history of photography and to introduce the great masters who have borne testimony to and documented the history of Italy.
In the final seminar in the series, Urs Stahel, head of exhibitions and the industrial photography collection of the Fondazione MAST Manufattura di Arti, Sperimentazione e Tecnologia in Bologna explains how the relationship between society and industry, especially in the past, has frequently been subject to moments of crisis. Industry has always responded to the demands of society, bringing enormous advantages, creating prosperity and making life easier. But how has this relationship been recounted over time?
Photographs of factories were long treated with indifference and only recently, thanks to a progressive reassessment, have they begun to be recovered and conserved, thus avoiding the erasure of testimony to the history of global industry and culture.
As the artist and curator Jorge Ribalta says, photographing machinery, industrial articles and working tools is not like photographing anything else. There is always a correspondence between the metallic perfection of the objects and the optical precision of the photographic processes.
The Histories of Photography project has been produced thanks to the support of MINI, a MAXXI Public Programs Partner