Monday closed
Tuesday to Sunday 11 am – 7 pm
EARLY TICKET OFFICE CLOSURES
Saturday and Sunday last entry at 5:30 pm
for young people aged between 18 and 25 (not yet turned 25);
for groups of 15 people or more; registered journalists with a valid ID card; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
valid for one year from the date of purchase
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
26 May 2024 ore 14:00
MAXXI with the FamilyEnvironments to explore!
28 May 2024 ore 19:30
performanceMuta ImagoAshes
29 May 2024 ore 18:00
talk + show cookingThe social mission of design: food, energy and health
29 May 2024 ore 18:30
books at MAXXIDialoghi sulla fedeby Martin Scorsese and Antonio Spadaro
30 May 2024 ore 17:30
books at MAXXINelle vene di Bruxellesby Paolo Valentino
31 May 2024 ore 18:30
auteur conversationsChristina Kubisch
Carlo Scarpa Hall- entry € 5
buying the ticket gives right to a reduced-price ticket to the museum (€8) within a week from issuance. Free entry for holders of the myMAXXI card, with the possibility to reserve a seat for the first 10 to write to mymaxxi@fondazionemaxxi.it before the day prior to the event, until full capacity
An event to retrace the design activity of the great architect starting from its beating heart: Cuba
An event to retrace the design activity of the great architect starting from its beating heart: Cuba
Indeed, the Caribbean island saw Vittorio Garatti become one of the founders of the Institute of Physical Planning and the co-creator of the first town plan of Revolutionary Cuba.
Together with architect Sergio Baroni, he won the competition for the building of the Cuban Pavilion at the Montreal World Fair in Canada in 1967. In the same year he designed, with the technical advice of engineer Jose “Moro” Morales”, the Andrèe Voisin Agriculture and Fertiliser school of Güines, in the countryside south of Havana, namely the first and only Cuban example of a building prefabricated on site.
Together with Roberto Gottardi, he created that which is considered the most important piece of modern architecture ever made in Cuba, which many deem the only true “architecture of Revolution”, namely the National Art Schools for the Third World.
The Art Schools were paramount not only for their compositional uniqueness and the peculiar process that led to their creation, but most of all because they introduced an innovative teaching method based on the total integration of the various artistic disciplines.
Introduces
Margherita Guccione Direttore MAXXI Architettura
Speakers
Vittorio Garatti, architetto – in collegamento via Skype
Jorge Antonio Fernandez Torres, Direttore Museo Nacional de Bellas Artes e Direttore Oncena e Duodécima Edición de la Bienal de La Habana
Alexis Ramon Sejo Garcìa, Rettore delle Scuole Nazionali d’Arte di L’Avana
Christian Zecchin, architetto Studio Garatti
Andrea Virtua, architetto – Studio Garatti
Pietro Paolo Anella, IN/ARCH Istituto Nazionale di Architettura
Umberto Zanetti, architetto e Co-Curatore Rivista Area 150
Alessandro De Magistris, architetto e Co-Curatore Rivista Area 150