videogalleryUn ritratto in movimento. Omaggio a Mimmo Jodiceby Mario Martone
videogallery
free admittance
screening hours 11:30 am and 5 pm
2023, 52 min | language: Italian
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Frecciarossa or a Frecciargento ticket to Rome purchased between 27 November 2024 and 20 April 2025
valid for one year from the date of purchase
minors under 18 years of age; upon presentation of disability card or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
videogallery
free admittance
screening hours 11:30 am and 5 pm
2023, 52 min | language: Italian
15 Feb 2025 05.00 pm
MAXXI with the familyDi Spazio in SpazioDivento Spazio
16 Feb 2025 05.00 pm
MAXXI with the familyDi Spazio in SpazioDivento Spazio
18 Feb 2025 06.00 pm
stories of artLecture on bluewith Marcella Beccaria
19 Feb 2025 04.30 pm
MAXXIperTUTTIDalla materia al simbolotactile lab
19 Feb 2025 06.00 pm
talkPESATOby Enzo Cucchi
A story of images and words, memories and testimonies of those who came into contact with the great photographer’s work.
From Francesco Vezzoli to Antonio Biasiucci, from Marino Niola to Stefano Boeri, from Lucia and Laura Trisorio to Lia Rumma, up to Angela Jodice, who shared a life with him and who first saw and supported his potential as an artist.
Martone follows Jodice in his studio, where memories crowd in the extraordinary images in the archive, decades of work and research that come alive in his words and the slow, precise movements of his hands. The first photographs, the experiments of the 1960s and then the 1970s, the political and social works, the nudes, the passion for architecture and classical antiquities, his losing himself looking at nature, the sea, waiting for a light to let visions emerge that go beyond reality.
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