until 29 May, valid for all exhibitions currently on view, due to the rearrangement of selected galleries and the implementation of energy efficiency improvements to the buildings
valid for one year from the date of purchase
– minors under 18 years of age;
– myMAXXI cardholders;
– on your birthday presenting an identity document;
– upon presentation of EU Disability Card holders and or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators;
– MiC employees;
– journalists who can prove their business activity;
– European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums);
– 1 teacher for every 10 students;
– AMACI members;
– CIMAM International Committee for Museums and Collections of Modern Art members;
– ICOM members;
– from Tuesday to Friday (excluding holidays) European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students;
– IED Istituto Europeo di Design professors, NABA Nuova Accademia di Belle Arti professors, RUFA Rome University of Fine Arts professors;
– upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie;
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
1 December 2011 – 29 April 2012
Carlo Scarpa Room
curated by Francesca Fabiani
Permanent Error sees the presentation within the ambit of the exhibition Re-Cycle of 27 photographs from a project that features the Agbogbloshie shanty town in Ghana, one of the world’s largest hi-tech dumps where computers, monitors and motherboards are burnt to retrieve copper, brass, aluminium and zinc, producing toxic residues that contaminate the air, water, land and populace.
The South African photographer Pieter Hugo has made the e-waste the subject of one of his most intriguing works, presenting an atmosphere somewhere between the bucolic and the infernal in which figures wander around bonfires and piles of electronic waste while cattle and oxen placidly graze amidst toxic miasmas from the ground. A catastrophic scenario with a further warning being launched by the title.
[fgallery id=2 w=540 h=540 t=0 title=’Pieter Hugo. Permanent Error’]
Pieter Hugo, Aissah Salifu, 2009-2010, Agbogbloshie, Accra (Ghana). Courtesy Galleria Extraspazio, Roma; Michael Stevenson Gallery, Cape Town; Yossi Milo, New York (part.)