Monday closed
Tuesday to Sunday 11 am – 7 pm
Saturday and Sunday last entry at 5:30 pm
EARLY TICKET OFFICE CLOSURES
Thursday, 2 and Friday, 3 May
the ticket office closes at 5:30 pm
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Automobile Club d’Italia (ACI), Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, CRAL UniRoma3 APS, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Poste Italiane, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
upon presentation of the membership Card or Carta EFFE
buy online
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
8 May 2024 ore 18:00
MAXXI Med talkLa terra in mezzo al mare, il mare nella terra
11 May 2024 ore 16:00
MAXXIperTUTTIMind the bend!Italian Sign Language workshop for families
12 May 2024 ore 14:00
MAXXI with the FamilyEnvironments to explore!
14 May 2024 ore 17:30
MAXXI Med lecture-performanceAutoritratto in Tre Attiby Diana Anselmo
The Histories of Art, a series of seminars on the history of contemporary art from the last 50 years, organised around chronological and thematic issues, is returning to MAXXI.
Gallerists, curators and art critics meet the public to discuss the Neo-Avant-Gardes, Conceptualism and Arte Povera, Post-Modernism and the art of the new Millennium. ?Not simply lectures on contemporary art, but the stories by those protagonists who with extraordinary exhibitions have marked the history of Italian contemporary art.
Francesco Poli discusses the Seventies and Italian Conceptualism
Saturday 17 December, 11.30 – 13.00
MAXXI Auditorium
Admittance €4 – free for holders of the my MAXXI membership card while places available, tickets must be picked up by 11.15 on the day of the event
The Italian Seventies were years of cultural, political and ideological tension. This was a period in which those experimental tendencies that emerged in the previous decade developed and established themselves, leading to a radical artistic and cultural mutation.
The contribution of the Italian artists, especially within the ambit of conceptual art, the object of this discussion, was highly original and of enormous consequence for the following decades.
Francesco Poli is a professor of the History of Contemporary Art at the Brera Fine Arts Academy in Milan. He also lectures at the Université Paris 8 and in Communications Science at the Faculty of Lettera in Turin. He has curated numerous exhibitions in public and private spaces. He contributes to diverse periodical and the daily newspaper La Stampa. His publications include: Il sistema dell’arte contemporanea. Produzione artistica, mercato, musei, Rome 2009; Minimalismo, arte povera, arte concettuale, Rome 2009.
Forthcoming events:
11.30 – 13.00
21 January 2012 | Achille Bonito Oliva
18 February 2012 | Angela Vettese
17 March 2012 | Germano Celant
21 April 2012 | Laura Cherubini
19 May 2012 | Laura Cherubini