for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Frecciarossa or a Frecciargento ticket to Rome purchased between 27 November 2024 and 20 April 2025
valid for one year from the date of purchase
minors under 18 years of age; upon presentation of disability card or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
9 Feb 2025 04.30 pm
MAXXI for familiesOggetti incredibili e come progettarli
11 Feb 2025 06.00 pm
books at MAXXIGuerra o paceby Giulio Tremonti
15 Feb 2025 05.00 pm
MAXXI with the familyDi Spazio in SpazioDivento Spazio
16 Feb 2025 05.00 pm
MAXXI with the familyDi Spazio in SpazioDivento Spazio
18 Feb 2025 06.00 pm
stories of artLecture on bluewith Marcella Beccaria
19 Feb 2025 04.30 pm
MAXXIperTUTTIDalla materia al simbolotactile lab
MAXXI Piazza – Outside Building D
A project by the artist JR realised on the occasion of the exhibition Extraordinary Visions. L’Italia ci guarda
In 2011 JR – pseudonym of the French “photograffeur”, class of 1983 – launched Inside out, a project conceived for all those wishing to spread a message or defend a cause by uploading to the web photographic portraits of the community to which they feel they belong.
MAXXI has decided to participate, involving the local Guido Alessi school in a workshop based on emotivity: Constructing the community of the XXI Century is a kaleidoscope of highly animated portraits, the facial expressions in which are the fruit of an emotive exchange between children with diverse origins, family backgrounds and sensibilities.
JR’s interventions exploit the communicative and didactic power of the poster to talk about social commitment and identity, liberty and confines. From the Brazilian favelas to the African slums, through to wall separating Israel and Palestine, his images have invaded the streets the world over, turning them into a true “open air gallery”.