Monday closed
Tuesday to Sunday 11 am – 7 pm
Saturday and Sunday last entry at 5:30 pm
EARLY TICKET OFFICE CLOSURES
Thursday, 2 and Friday, 3 May
the ticket office closes at 5:30 pm
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Automobile Club d’Italia (ACI), Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, CRAL UniRoma3 APS, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Poste Italiane, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
upon presentation of the membership Card or Carta EFFE
buy online
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
5 May 2024 ore 16:00
MAXXIperTUTTIIl corpo e l’architetturatactile lab
8 May 2024 ore 18:00
MAXXI Med talkLa terra in mezzo al mare, il mare nella terra
11 May 2024 ore 16:00
MAXXIperTUTTIMind the bend!Italian Sign Language workshop for families
Guidi Reni Room – entrance € 5; Buying the ticket entitles you to a reduced-price ticket for the museum (€ 8) within one week of issue.
€ 4 for holders of the myMAXXI card
Four lessons on the great artists who have redesigned and revolutionised art in the last sixty years.
What do The Photoplay, namely the first essay on cinema, written by psychologist Hugo Münsterberg in 1916, and Anemic Cinéma, the abstract cinema masterpiece by Marcel Duchamp, made ten years later, have in common? The work of Duchamp has been interpreted in many ways, but his media interventions, his forays into cinema, his exhibition devices, and even his TV appearances have been incredibly underestimated. A careful re-reading of the “hidden”, physiological, psychological, media sources of Duchamp’s art provides an alternative genealogy not only of ready-made, but also of his entire body of work, and enables a new understanding of contemporary art from a “movement-image” standpoint.
Marco Senaldi, Media aesthetics professor in many universities, including Milano Bicocca, IULM Milano and LUISS Roma, currently teaches at the Academy of Fine Arts of Brera. He has published several essays, organised conferences and events with philosophers and artists as well as several modern art exhibits.
The Histories of Art.
11 March – 22 April 2017
The Histories of Art has reached its fifth edition. Such series of lectures, given by professors, historians, writers and critics, focuses on the most important phases of contemporary creatvity, from Marcel Duchamp up to the present day.
The Histories of Art project is carried out with the support of MINI, Partner of MAXXI Public Programs