– for young people aged between 18 and 25 (not yet turned 25);
– for groups of 15 people or more;
– La Galleria Nazionale, Museo Ebraico di Roma ticket holders;
– upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard;
valid for one year from the date of purchase
– minors under 18 years of age;
– myMAXXI cardholders;
– on your birthday presenting an identity document;
– upon presentation of EU Disability Card holders and or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators;
– MiC employees;
– journalists who can prove their business activity;
– European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums);
– 1 teacher for every 10 students;
– AMACI members;
– CIMAM International Committee for Museums and Collections of Modern Art members;
– ICOM members;
– from Tuesday to Friday (excluding holidays) European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students;
– IED Istituto Europeo di Design professors, NABA Nuova Accademia di Belle Arti professors, RUFA Rome University of Fine Arts professors;
– upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie;
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
7 Jun 2025 > 8 Jun 2025 03.00 pm
MAXXIperTUTTI“amor ch’a null’amato”theatre in the dark
7 Jun 2025 04.30 pm
MAXXIperTUTTIIo sono colorelab in LIS
13 Jun 2025 06.00 pm
talkAnachronic Renaissanceby Alexander Nagel and Christopher S. Wood
17 Jun 2025 06.00 pm
stadiums stories: designing the mythStadiums. Back to the futurewith Moira Valeri
Carlo Scarpa Hall
admission €5; purchase of a ticket entitles holders to reduced price museum admission (€8) within one week of issue; admission free for myMAXXI cardholders with the possibility of reserving places for the first 10 to write to mymaxxi@fondazionemaxxi.it by the day before the event, subject to availability of places.
An exceptional lecture for an exploration the confine between aesthetics and psychoanalysis
Forms, bodies, images, words: on the confine between inside and outside, psychoanalysis, both as a treatment and a theory, is traversed by the aesthetic dimension, the patrimony of all people and based on perceptive dynamics (aesthesis) that constitute the basis of our experience of the world, in relation to the primary processes of living. From this point of view, aesthetics brings us closer to the values of life and is therefore also an ethical dimension that promotes in analysis care for oneself and other, tracing the path of our existence.
Domenico Chianese, psychoanalyst with a training role at the Società Psicoanalitica Italiana, of which he was the president from 2001 to 2005, is the author of Costruzioni e campo analitico (Borla, 1997), Un lungo sogno (Angeli, 2006 ) and the co-author with Andreina Fontana of Immaginando (Angeli, 2010) and Per un sapere dei sensi (Alpes, 2015), that brings together his extensive research into the relationship between aesthetics and psychoanalysis.