single ticket valid until 17 April, for all ongoing exhibitions, due to the refurbishment of 2 galleries
for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Trenitalia ticket to Rome purchased between 27 November 2024 and 21 April 2025
valid for one year from the date of purchase
minors under 18 years of age; upon presentation of disability card or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
25 Mar 2025 06.00 pm
stories of artLecture on yellowwith Angela Vettese
27 Mar 2025 07.00 pm
Le ConversazioniPupi Avatiwith Antonio Monda
30 Mar 2025 04.00 pm
musicElectronic ExpressionsMateria
30 Mar 2025 05.00 pm
CreAzioneLeopardiby Mario Martone
1 Apr 2025 06.00 pm
books at MAXXIExhibit. I musei e la mostra del potereby Giovanni Pinna
21 – 24 June
MAXXI B.A.S.E., Sala Graziella Lonardi Buontempo – free entrance
The international seminar Villard 14 worked to investigate how architecture and design could discover the hidden potentialities of some marginal territories. These areas were famous to be, in past time, strategic battlefields during the Great War. The seminar was implemented by several experiences such as lectures, stages and visits.
The aim of the workshop was to clarify some basic design techniques to describe and mix, at the same time, history, private memories, tracks and signs left by the trench warfare or the bloody battles, with the beauty of landscapes.
Memorials, cemeteries, ossuaries, memorial stones, no less than woods, sink holes, trenches, paths, roads, bunkers and shelters sometimes still visible in these places, evoke the story of those tragic times while tourists and nature lovers come here for their free time, looking for a quiet place to rest.
The paradox between the silence of our times and the metallic noise of the past battlefields, well described
by writers such us E. Jünger, will be one of the topics which students should develop in their projects for Vittorio Veneto, Montello and Noventa di Piave.