for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma, Villa Medici: Accademia di Francia a Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Automobile Club d’Italia (ACI), Biblioteche di Roma, Casa Internazionale delle Donne, Centro Sperimentale di Cinematografia, CRAL UniRoma3 APS, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, IED – Istituto Europeo di Design, IN/ARCH – Istituto Nazionale di Architettura, Interclub Welfare Card, ISFCI – Istituto Superiore di Fotografia, Sapienza Università di Roma, LAZIOcrea, Officine Fotografiche, Ordine dei Medici Chirurghi e degli Odontoiatri, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Poste Italiane, Rinascente, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, UIL – Unione Italiana del Lavoro, Università degli Studi di Roma Tor Vergata, Youthcard
the only open ticket, valid for 100 years, for one admission to the Museum and all current exhibitions
valid for access to the Museum during the last opening hour, available online and at the Museum’s digital ticket point only
upon presentation of the membership Card or Carta EFFE
buy online
minors under 18 years of age; disabled people requiring companion; EU Disability Card holders and accompanying person; MiC employees; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; ICOM members; AMACI members; journalists (who can prove their business activity); myMAXXI membership cardholders; European Union students and university researchers in Art and Architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge – valid for two: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
23 Apr 2024 ore 18:00
talkArtificial intelligence philosophy and ethics
23 Apr 2024 ore 18:30
books at MAXXILa Russia moralizzatriceby Marta Allevato
23 Apr 2024 ore 18:30
talk + film screeningRitratto di città (20/20,000Hz)by MASBEDO
24 Apr 2024 ore 18:30
editorial presentationForgotten Architecture
5 May 2024 ore 16:00
MAXXIperTUTTIIl corpo e l’architetturatactile lab
The Histories of Art, a series of seminars on the history of contemporary art from the last 50 years, organised around chronological and thematic issues, is returning to MAXXI.
Gallerists, curators and art critics meet the public to discuss the Neo-Avant-Gardes, Conceptualism and Arte Povera, Post-Modernism and the art of the new Millennium. ?Not simply lectures on contemporary art, but the stories by those protagonists who with extraordinary exhibitions have marked the history of Italian contemporary art.
I’ll tell you an exhibition: Laura Cherubini and Aperto ‘93
Saturday 19 May, 11.30 – 13.00
MAXXI Auditorium
Admittance €4 – free for holders of the my MAXXI membership card while places are available; tickets must be picked up by 11.15 on the day of the event
After Aperto ’93 Emergency/Emergenza exhibitions were never to be the same again. At the XLV Venice Biennale, Helena Kontova and Giancarlo Politi adopted for the first time the innovative system of the exhibition within an exhibition. Thus opened the era of the curators, with the 13 sections of the exhibition entrusted to emerging critics who subsequently became extremely well-known. An important example of artistic and critical pluralism around the most pressing of contemporary themes. A story devoted to recounting the organization and the consequences of this extraordinary exhibition.
Laura Cherubini is a lecturer in the History of Contemporary Art at the Brera Academy and the vice president of the MADRE Museum. As an art critic she contributes to daily newspapers and specialist periodicals, in particular Flash Art. In 1990, she curated the Italian Pavilion at the Venice Biennale and won the Carluccio Prize for young critics. Between 2005 and 2007 she was the head of the contemporary art programme at the National Graphic Institute. She is a member of the archives of Mario Schifano, Franco Angeli, Fabio Mauri and Alighiero Boetti. She has curated numerous exhibitions including Dino De Dominicis (Nice, Villa Arson; Turin, Fondazione Merz; New York, MoMA PS 1, 2007-2008) and the cycle Dialogues with the City (Rome, MAXXI, 2008-2009).