REOPENING: 22-23-24/29-30-31 May and from 2 June on the usual opening days and hours
40 years on from his death, MAXXI is dedicating a major retrospective to him that studies and presents his versatility, starting out with an account of his architecture.
A new focus presentation of the MAXXI archives this time featuring a great photographer
REOPENING: from 2 June 2020
In the year of its 10th anniversary, MAXXI chooses to give great space to Italian creativity, by hosting the winners of the competition held by the MiBACT Italian Council.
The Young Architects Program, launched and coordinated by MoMA, reaches its 8th edition at MAXXI.
Seven leading international designers have been asked to investigate and present their vision regarding seven themes and functions of habitation.
REOPENING: from 18 June 2020
A review that ranges from the low-cost housing projects of the post-war years to new experimental and sustainable ways of inhabiting the planet
REOPENING: from 18 June 2020
A space inspired by Pier Luigi Nervi that visitors may enter and move around.
Three canvases combine words, painting and gestures in a critical rethinking of the past as a means of building friendships, solidarity and alliances.
Ten competing Italian documentaries and a jury of experts to award the "Best Italian Documentary of the Year" and assign the "Extra Doc CityFest" award to the best unreleased documentary.
Dino Risi is the director of the so-called "Italian comedy". Marco Risi is the young man who challenged his father on his own ground. Can one be a son and also perceive the father as a master?
Four years after the first edition, updating the information on the situation of the Syrian Kurds and their disputed land, the Rojava, is more important than ever.
A show taken from the book by Davide Enia "Appunti per un Naufragio" which uses the languages of theatre to deal with the mosaic of this present time.
An event to discuss the human condition "after" Sars-Cov-2.
TUESDAY 11:00 am – 7:00 pm
WEDNESDAY 11:00 am – 7:00 pm
THURSDAY 11:00 am – 7:00 pm
FRIDAY 11:00 am – 7:00 pm
SATURDAY 11:00 am – 7:00 pm
SUNDAY 11:00 am – 7:00 pm
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under 14 years old; disabled visitors requiring accompaniment; MiBACT employees; European Union tour guides and couriers; 1 teacher for every 10 students; ICOM members; AMACI members; accredited journalists; myMAXXI membership cardholders; Tuesday to Friday – academics and university researchers in Art and Architecture; on your Birthday presenting an ID card.
The collections of the MAXXI art present themselves as a strong nucleus that witnesses the national and international artistic production
The MAXXI Architettura collections comprise all those artefacts and documents that, in various ways, represent the material and conceptual complexity of architecture.
The Centro Archivi curates and manages the MAXXI's architecture collections and provides the possibility, inside the Sala Studio, to directly consult the documents and database of its twentieth and twenty-first century collections.
With the my MAXXI card experience the museum full time: unlimited and preferential access, reduced rates to participate to cultural programmes and educational activities
Abbiamo bisogno di poter contare su di una rete di sostenitori, per incrementare la collezione permanente, tutelare la conservazione delle opere e offrire e al nostro pubblico un programma culturale di qualità.
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curated by Gong Yan and Elena Motisi
The exhibition, born out of the collaboration with the Power Station of Art in Shanghai presents the intense and conflictual relationship between the Utopian dimension of design and its realization through the work of Yona Friedman.
The theory of mobile architecture, conceived by Friedman in 1950s, called into question the Modernist vision whereby the inhabitants are required to adapt to a building and not the reverse: through sketches, models and animations the exhibition recounts the development of this theory while at the same time exploring the theme of improvisation as a “possibility” in the world of architecture, as theorised by Friedman from the 1970s.
(Budapest, 1923) is a Hungarian-born French architect. Starting in 1958 with his Manifesto de l’Architecture Mobile he has formulated and championed the idea that the inhabitant should be the sole conceptor of his own living premises within a spaceframe structure that would allow individual variations. His theory influenced avant-garde groups like the Japanese Metabolists, Archigram […]Full bio
The Architecture Mobile (Mobile Architecture) manifesto largely affected the urban planning of the late Twentieth Century, and gave rise to a new ideology by deeply influencing the architectural planning of more recent experimental groups, especially the Metabolist Movement in Japan, the Archigram group in the United Kingdom and others. Friedman studied how to develop an architectural structure able to respond to the heterogeneity of the social system, namely the awareness citizens are to have of their spatial needs. Such a vision, which attaches the greatest importance to those who use architectural objects instead of architects, leads to the need for an easily movable mobile architecture to suit the spatial needs of inhabitants. Indeed, common people, who are at the core of the decision-making process despite not being specialised, have the freedom to make their own architecture come true. The Ville Spatiale (Spatial Town), namely a project based on shapes and structures which can allegedly be modified an infinite number of times, is the best implementation of the Mobile Architecture model.
The use of Irregular Structures is one of the founding ideas of Mobile Architecture. Based on a causal configuration, Irregular Structures are participative by nature, and can be learnt autonomously following a personal experimentation. Their aims is to enable users to construct buildings by following simple instructions. Irregular Structures include: GRIBOUILLI (Scribbles) are improvised three-dimensional structures (Space Frames) made from tangled metal wires, the high stability of which is ensured by intersection points; CRUMPLED SHEETS are improvised structures. Their underlying principle includes the use of a mouldable foil which can be crumpled according to personal needs; THE ROD NET is a freely arranged reticular spatial structure composed of rigid rods linked by use of joints, creating a usable space; SPACE CHAINS: structures made up of rings assembled in different ways.
The Ville Spatiale (Spatial Town) is the core concept of Friedman’s work. The project consists in an elevated grid which contains the main ducts and area corridors (streets), inside which single homes following principles that ensure natural light, privacy, and accessibility are inserted. The ground under the Spatial Town stays practically intact. The Spatial Town is an unpredictable invention where the actual architects are its inhabitants and users. For the MAXXI exhibition has been conceinved a large-scale model of the Ville Spatiale that interacts with unpublished drawings and photomontages by the architect, which depict his vision of Rome and the MAXXI and visually represent his method.
Like a small cell in the Spatial Town, Friedman’s house in the 15th arrondissement of Paris at the beginning of the 1960s is overwhelmed by manuscripts, models, toys and all kinds of materials collected by himself. The exhibition contains more than hundred drawings, photos and models which map out the main phases of his creative process. From the cover of the first edition of Architecture Mobile, through visions of the Ville Spatiale up to the Cylindrical Shelters and Cabins for the Sahara projects. In the exhibition, a detailed study is dedicated to the Museum of Simple Tecnology and an extremely relevant and imaginative refugee camp project.
2004 saw Friedman launch his Street Museum project, which invited citizens to display objects of significance to them in a very flexible structure. Street Museum typologies vary in accordance with the context and the Street Museum at the MAXXI contains objects collected through an open call organised by the museum in May 2017.