IN RESTAURORossella BiscottiIl Processo
Gian Ferrari Hall
the restoration work takes place from Tuesday to Friday 11 am > 4.30 pm
the piece is visible from Tuesday to Sunday 11 am > 7 pm
– for young people aged between 18 and 25 (not yet turned 25);
– for groups of 15 people or more;
– La Galleria Nazionale, Museo Ebraico di Roma ticket holders;
– upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard;
valid for one year from the date of purchase
– minors under 18 years of age;
– myMAXXI cardholders;
– on your birthday presenting an identity document;
– upon presentation of EU Disability Card holders and or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators;
– MiC employees;
– journalists who can prove their business activity;
– European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums);
– 1 teacher for every 10 students;
– AMACI members;
– CIMAM International Committee for Museums and Collections of Modern Art members;
– ICOM members;
– from Tuesday to Friday (excluding holidays) European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students;
– IED Istituto Europeo di Design professors, NABA Nuova Accademia di Belle Arti professors, RUFA Rome University of Fine Arts professors;
– upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie;
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
Gian Ferrari Hall
the restoration work takes place from Tuesday to Friday 11 am > 4.30 pm
the piece is visible from Tuesday to Sunday 11 am > 7 pm
1 Jun 2025 > 6 Jul 2025
videogalleryInto the Water
7 Jun 2025 > 8 Jun 2025 03.00 pm
MAXXIperTUTTI“amor ch’a null’amato”theatre in the dark
7 Jun 2025 04.30 pm
MAXXIperTUTTIIo sono colorelab in LIS
13 Jun 2025 06.00 pm
talkAnachronic Renaissanceby Alexander Nagel and Christopher S. Wood
17 Jun 2025 06.00 pm
stadiums stories: designing the mythStadiums. Back to the futurewith Moira Valeri
Open to the public the conservation works of Rossella Biscotti’s Il processo (the trial) on the occasion of the FUORI TUTTO exhibition.
The piece (2010) consists of eight concrete casts taken from as many architectural elements (bars, floors, stairs, technical apparatuses, etc.) of the former bunker room of the Casa delle Armi, Luigi Moretti’s sports complex in Rome. Some of the most important political trials in Italian history took place here, including the one on the Aldo Moro murder.
The concrete sculptures distributed in the space like archaeological fragments of a recent past, together with the integral recording of the hearing that constitutes the sound component of the installation, construct a dense narrative in which the theme of the transformation of places and symbols of history is interwoven with a reflection on the relationship between space, language and politics.
The restoration of the work focuses precisely on the reinforced concrete and sculptural surfaces of the materials of the bunker room – the rubber of the floor, the paint of the bars, the carpet, etc. – “ripped off” during the process of making the casts.