– for young people aged between 18 and 25 (not yet turned 25);
– for groups of 15 people or more;
– La Galleria Nazionale, Museo Ebraico di Roma ticket holders;
– upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard;
valid for one year from the date of purchase
– minors under 18 years of age;
– myMAXXI cardholders;
– on your birthday presenting an identity document;
– upon presentation of EU Disability Card holders and or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators;
– MiC employees;
– journalists who can prove their business activity;
– European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums);
– 1 teacher for every 10 students;
– AMACI members;
– CIMAM International Committee for Museums and Collections of Modern Art members;
– ICOM members;
– from Tuesday to Friday (excluding holidays) European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students;
– IED Istituto Europeo di Design professors, NABA Nuova Accademia di Belle Arti professors, RUFA Rome University of Fine Arts professors;
– upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie;
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
7 Jun 2025 > 8 Jun 2025 03.00 pm
MAXXIperTUTTI“amor ch’a null’amato”theatre in the dark
7 Jun 2025 04.30 pm
MAXXIperTUTTIIo sono colorelab in LIS
13 Jun 2025 06.00 pm
talkAnachronic Renaissanceby Alexander Nagel and Christopher S. Wood
17 Jun 2025 06.00 pm
stadiums stories: designing the mythStadiums. Back to the futurewith Moira Valeri
MAXXI auditorium – € 5
carnet for four meetings € 10
10 individual seats free and reserved for myMAXXI cardholders by writing to mymaxxi@fondazionemaxxi.it, by the day before the event
Four meetings to know Ponti’s multi-faceted activities, which include architecture, design, teaching, publishing, decoration, and scenography.
The programme intends to flank the exhibition in introducing and bringing the audience closer to Ponti’s multi-faceted activities: architecture and design, teaching and publishing, decoration and scenography; a legacy that has no equal in terms of versatility, flair, and commitment. A five-lesson long path designed to outline the professional profile of a person who actively participated in the re-birth of post-war Italian design.
Gio Ponti and the city
with Giorgio Ciucci
In issue 53 of “Domus” of May 1932, Gio Ponti published a short but incisive article on photography in relation to sector publishing, in which he showed a very acute awareness of the use of photography and its implications that, together with the interests that Ponti always nourished for art, publishing, fashion and advertising, could not but determine the development of a sophisticated visual communication strategy.
Starting from the “Domus” experience but also from the subsequent magazines in which he would write such as “Stile”, “Bellezza. Mensile dell’alta moda e di vita italiana” and “Aria d’Italia”, the lesson will retrace Gio Ponti’s relationship with publishing and is aimed at establishing a circularity of intent and cultural references that was able to bring together architectural and design culture, integrating these areas with decorative arts, a mirror of the most significant arts, and fashion.
Roberto Dulio is an associated professor of History of Architecture at the Polytechnic Institute of Milan. He has curated exhibitions and published books and essays. He was the editor of the magazine “L’architettura cronache e storia” and has collaborated with other magazines including “Casabella” and “Domus”.