for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Frecciarossa or a Frecciargento ticket to Rome purchased between 27 November 2024 and 20 April 2025
valid for one year from the date of purchase
minors under 18 years of age; upon presentation of disability card or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
28 Jan 2025 06.00 pm
auteur conversationsGuido Guidi
29 Jan 2025 04.30 pm
MAXXIperTUTTIDalla materia al simbolotactile lab
30 Jan 2025 06.00 pm
talkMusei possibili. Storia, sfide, sperimentazionicurated by Fulvio Irace
2 Feb 2025 12.00 pm
guided toursItalia in movimentoAutostrade e futuro
2 Feb 2025 04.30 pm
MAXXI with the familySe un pomeriggio d’inverno dei viaggiatori…
5 Feb 2025 06.00 pm
talkMemorabile. Ipermoda: vestire i manichini
Gian Ferrari Room – admittance free
The artists Enrico Ascoli and Hilario Isola present Auspicio, the work realised in collaboration for The Independent_Food.
In conversation with them will be Leandro Pisano, founder of the Interferenze Festival.
The project
Wine is taken as a central narrative element in the territorial storytelling of the artists Enrico Ascoli and Hilario Isola. The work Auspicio stages the process of the fermentation of the must, exploring its rarefied sonic dimension.
In antiquity, the auspice consisted of the prediction of the future through the observation of the behaviour of birds, in particular their song, flight and way of feeding.
Auspicio is an off-grid sonic piece that once triggered has need of neither electricity nor its creator, becoming an autonomous organism that expresses itself through birdsong. Large glass ampules sit on embroidered cushions while the wine must ferments tumultuously inside them. Pervaded by the yeasts, the must produces carbon dioxide that is channelled up through a slim glass tube. Here it encounters a series of small sachets filled with honey that with its density absorbs the gas, moulds it and forms bubbles: their bursting gives breath to the bird hunting lures located at the end.
The project is an experimental attempt to compose a landscape in continuous transformation, inhabited by the idea of a future composed of equilibrium between artifice and nature, ancient and contemporary, territory and globalization.