for young people aged between 18 and 25 (not yet turned 25); for groups of 15 people or more; La Galleria Nazionale, Museo Ebraico di Roma ticket holders; upon presentation of ID card or badge: Accademia Costume & Moda, Accademia Fotografica, Biblioteche di Roma, Centro Sperimentale di Cinematografia, Enel (for badge holder and accompanying person), FAI – Fondo Ambiente Italiano, Feltrinelli, Gruppo FS, IN/ARCH – Istituto Nazionale di Architettura, Sapienza Università di Roma, LAZIOcrea, Palazzo delle Esposizioni, Amici di Palazzo Strozzi, Accademia Nazionale di Santa Cecilia, Scuola Internazionale di Comics, Teatro Olimpico, Teatro dell’Opera di Roma, Teatro di Roma, Università degli Studi di Roma Tor Vergata, Youthcard; upon presenting at the ticket office a Trenitalia ticket to Rome purchased between 27 November 2024 and 21 April 2025
valid for one year from the date of purchase
minors under 18 years of age; upon presentation of disability card or accompanying letter from hosting association/institution for: people with disabilities and accompanying person, people on the autistic spectrum and accompanying person, deaf people, people with cognitive disabilities and complex communication needs and their caregivers, people with serious illnesses and their caregivers, guests of first aid and anti-violence centres and accompanying operators, residents of therapeutic communities and accompanying operators; EU Disability Card holders and accompanying person; MiC employees; myMAXXI cardholders; registered journalists with a valid ID card; European Union tour guides and tour guides, licensed (ref. Circular n.20/2016 DG-Museums); 1 teacher for every 10 students; AMACI members; CIMAM – International Committee for Museums and Collections of Modern Art members; ICOM members; journalists (who can prove their business activity); European Union students and university researchers in art history and architecture, public fine arts academies (AFAM registered) students and Temple University Rome Campus students from Tuesday to Friday (excluding holidays); IED – Istituto Europeo di Design professors, NABA – Nuova Accademia di Belle Arti professors, RUFA – Rome University of Fine Arts professors; upon presentation of ID card or badge: Collezione Peggy Guggenheim a Venezia, Castello di Rivoli Museo d’Arte Contemporanea, Sotheby’s Preferred, MEP – Maison Européenne de la Photographie; on your birthday presenting an identity document
for groups of 12 people in the same tour; myMAXXI membership card-holders; registered journalists with valid ID
under 14 years of age
disabled people + possible accompanying person; minors under 3 years of age (ticket not required)
MAXXI’s Collection of Art and Architecture represents the founding element of the museum and defines its identity. Since October 2015, it has been on display with different arrangements of works.
16 Feb 2025 05.00 pm
MAXXI with the familyDi Spazio in SpazioDivento Spazio
18 Feb 2025 06.00 pm
stories of artLecture on bluewith Marcella Beccaria
19 Feb 2025 04.30 pm
MAXXIperTUTTIDalla materia al simbolotactile lab
19 Feb 2025 06.00 pm
talkPESATOby Enzo Cucchi
19 Feb 2025 06.30 pm
books at MAXXIIl coccodrillo di Palermoby Roberto Andò
20 Feb 2025 06.00 pm
lectureElizabeth Diller
The Histories of Art, a series of seminars on the history of contemporary art from the last 50 years, organised around chronological and thematic issues, is returning to MAXXI.
Gallerists, curators and art critics meet the public to discuss the Neo-Avant-Gardes, Conceptualism and Arte Povera, Post-Modernism and the art of the new Millennium. ?Not simply lectures on contemporary art, but the stories by those protagonists who with extraordinary exhibitions have marked the history of Italian contemporary art.
Angela Vettese describes the 1980s in Italy between Modernism and Postmodernism
Saturday 18 February, 11.30 – 13.00
MAXXI Auditorium
Admittance €4 – free for holders of the my MAXXI membership card while places available, tickets must be picked up by 11.15 on the day of the event
Modernism and Postmodernism: rejection of the myth of modernity and attempt to rethink the present in historical terms. The objective of this encounter will be to analyse and verify the weight and significance of these two critical categories, among the most exploited and discussed, examining the works of the Italian art of the 1980s.
Angela Vettese art historian, critic and curator. President of the Fondazione Bevilacqua La Masa and founder of the Faculty of Arts at IUAV in Venice, where since 2001 she has directed the CLASAV (Graduate Degree in Visual Art).
In 2009 she was the president of the International Jury of the Venice Biennale of Visual Arts. Since 1986 she has contributed to Il Sole 24 Ore’s Sunday supplement. Her publications include: Capire l’arte contemporanea, Turin 1996; Si fa con tutto. Il linguaggio dell’arte contemporanea, Bari 2010.
Forthcoming events:
17 March 2012 | Germano Celant
21 April 2012 | Laura Cherubini
19 May 2012 | Laura Cherubini